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Why Should the Writer Care about the Reader?

The blog world moves at a pretty fast clip and even though I’m not a daily blogger I still find myself wavering over a draft that doesn’t sound quite right, pondering whether to click on the “Publish” icon and turn my writing into a post or to spend another day or two trying to drill down to whatever is sending off alarm signals. Partly prompted by a comment from “O”, I’ve been thinking about a couple of things I said in a post and in a follow-up comment dedicated to Enrique Vila-Matas’ book Montano.I found the book frustrating to read much of the time and I referred to the writing as occasionally self-indulgent, by which I meant that “Vila-Matas forgot to think about the reader. “And that’s what keeps bugging me.

Why, I have been asking myself for days, should writers care about readers when I know instinctively that concern for the reader has nothing to do with literary quality. In fact, some of the most profound writers are those who force readers to meet them on their own terms – no matter how demanding those terms might be. The more I thought about this the more I realized that I prefer – I really want – demanding writers, writers who make me uncomfortable and who make me come to them.For example, one of my favorite writers is Thomas Bernhard, who makes me struggle and really earn my way through even the briefest of his works. There are times when it is impossible to read ten pages of Bernhard without a mental breather, but I always return ready for more.And then I think of the books of writers like Ingeborg Bachman and Elfriede Jelinek (just to name two I’ve been reading lately), which are really tough going for me. Sometimes I can’t bring myself to even finish their books but I recognize the value that I get out of every page I do manage to read.

No, my sustained interest in continuing to read a book is not related to the ease or difficulty that the book itself presents me as a reader. The interchange between readers and books is too complex for me to even contemplate, but suffice it to say that for me to keep reading there must be sufficient reward. I couldn’t possibly list the infinite ways a book might reward a reader, but I will say that if a book is not rewarding me it quickly becomes a frustrating experience. Reading ten pages of Thomas Bernhard requires an effort in concentration, but the reward is spectacular and so I keep on reading. Reading Montano was often an effort for me, because the reward seemed so minimal. I have other books to read if this one can’t be more rewarding.

Many reviewers and readers obviously enjoyed Montano and I have no quibble with that. It just wasn’t the book for me. But I need to atone for my comments about authors who “forget” about their readers. Let the reader be damned.

2 Comments Post a comment
  1. I think it may be, rather than a matter of thinking of “the reader”, simply a matter of creating a work of art, which necessarily with books involves it being read. If someone dimply wishes to write, fine enough, but that doesn’t negate the desirability of the work finding appropriate form. Just because some bunch of jazz musicians are having great fun pouring out whatever it is they’re pouring out, doesn’t mean that simply by virtue of their enjoyment, ability, even profundity of character- a great work of art is produced.

    So rather than having qualms about “Vila-Matas (having) forgot to think about the reader”, it’s the legitimate judgement towards a work of art, which was felt to be deficient. Vila-Matas is irrelevant here, as is “the reader”; it’s the work of art that is judged. “The writer” no longer exists.

    July 7, 2009

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