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Vertiginous Links for May 2013


The German Bookshop in London is having an event with Uwe Schütte on May 22 at 19.00.

We are delighted to have the author of W.G. Sebald. Einführung in Leben & Werk, Uwe Schütte, with us to introduce you to many little known aspects of the life and work of W.G. Sebald.  His book was published in autumn 2011 to coincide with the tenth anniversary of his premature death. It provides new biographical material and examines all major literary works. In addition, a chapter on Sebald’s critical writings sheds an interesting light on a neglected yet crucial part of his oeuvre.  Schütte came to the University of East Anglia in 1992 to do both his MA and PhD with Sebald as his supervisor. He is a Reader in German at Aston University, Birmingham and the author of ten books on German literature, as well as numerous articles and reviews in national papers in Germany and Austria. 

The event is free but requires an email reservation.  For details, follow this link and scroll down a bit.


Europe Mai 2013

The literary review Europe has announced that its May issue will focus on Sebald and Tomas Tranströmer (great pair!).  Go here to purchase a copyHere are the contents for the Sebald section:

Lucie CAMPOS et Raphaëlle GUIDÉE : W.G. Sebald, la marge et le centre.
W.G. SEBALD : « Mais l’écrit n’est pas un vrai document… »
François HARTOG : Le simultané du non-simultané.
Romain BONNAUD : Une expérience de l’histoire.
Sergio CHEJFEC : L’histoire comme représentation et comme peine.
Ruth KLÜGER : Cheminant entre la vraie vie et la vie fausse.
Raphaëlle GUIDÉE : Politique de la catastrophe.
Ben HUTCHINSON : « L’ombre de la résistance ». W.G. Sebald et l’École de Francfort.
Lucie CAMPOS : L’excès du savoir et du sentiment.
Patrick CHARBONNEAU : Max et le bélier hydraulique.
Karine WINKELVOSS : Pathos et théâtralité dans la prose de Sebald.
Muriel PIC : Élégies documentaires.
Emmanuel BOUJU : Mind the gap ! Humour et exil de la mélancolie.
Liliane LOUVEL : Un événement de lecture.
Mandana COVINDASSAMY : Le dépaysement en pratique.
Ruth VOGEL-KLEIN : Dans l’atelier de W.G. Sebald.
Martin RASS : Le bruit du passage du train.
Jean-Christophe BAILLY : Le troc silencieux de W.G. Sebald.
Fabrice GABRIEL : « Enjoy ».
Lucie TAÏEB : Sans histoire, pas d’histoire ?


Finally, over at The Public Domain Review, Adam Green has done all Sebald readers a great service with his elegantly conceived project “Texts in Sebald’s The Rings of Saturn.”  Here is his description of the undertaking:

Collected together in this post are the major (public domain) texts of which, and through which, Sebald speaks – accompanied by extracts in which the texts are mentioned. The list begins and ends with the great polymath Thomas Browne, an appropriate framing as the work of this 17th century Norfolk native has a presence which permeates the whole book. Indeed, in the way he effortlessly moves through different histories and voices, it is perhaps in Browne’s concept of the ‘Eternal Present’ which Sebald can be seen to operate, in this mysterious community of the living and the dead.


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