Photography-Embedded Fiction & Poetry 2020
Every year I post a bibliography of works of fiction and poetry recently published that containing embedded photographs. By the term “embedded photographs,” I mean photographs that are intended by the author as a part of the original “text.” Here is my list for books published in 2020. You can see bibliographies for the years 1970-2019 underneath the pull-down menu “Photo-Embedded Literature” at the top of Vertigo. If you know of a book that I have not mentioned, please let me know in a comment and I will add the book to this or any of my yearly listings. My thanks to the many Vertigo readers who have already pointed me to books that I had not known about. As far as I know, this is the only public bibliography of this kind. [Updated April 19, 21, 2021.]
Don Mee Choi. DMZ Colony. Wave Books, 2020. Poems, prose, photographs, and drawings that deal with the history of the U.S. involvement in Korea.
John Clark. Conversations with a Novel Virus. Sheffield: self-published in an edition of 100 copies, 2020. Quirky, humorous, angry, and thought-provoking poems in the form of conversations between the poet and the coronavirus. Appended to the back of the volume are beautiful pen and ink drawing by Sarah Grace Dye made from the windows of her Frankfurt, Germany apartment. Inside the book is a double-page spread photograph showing two pages of Dye’s sketchbook and her bookmark, which is a flattened Corona beer can top, dangling from a string. Who knew that talking with a virus could be so witty? I want one of Dye’s sketches.
Emma Donoghue. Akin. NY: Little, Brown and Co., 2020. A retired chemistry professor and a young boy attempt to figure out the origins of a handful of puzzling photos that the man discovered relating to his mother’s wartime years in France. Donoghue’s novel includes a number of images that look like the old snapshots with crinkly-cut edges. The copyright page gives the credit for “photographic illustrations” to Margaret Lonergan. There are also several stock photographs in the book.
Caleb Femi. Poor. NY: Penguin, 2020. Poems, largely about the North Peckham estate in London where Femi grew up, along with color and b&w photographs by the author of residents and friends from the same neighborhood.
Elena Ferrante. “The Lying Life of Adults.” The New York Times Magazine August 16, 2020. Special fiction section. An excerpt from her forthcoming novel with “photo illustrations” by Kensuke Koike that appear to slice up and rearrange old snapshots to suggest the duplicity of people. These images were done especially for the Times excerpt and don’t appear in the novel as published by Europa Editions in 2020.
Carlos Fonseca. Natural History: A Novel. NY: Farrar, Straus & Giroux, 2020. Translated from the 2017 Spanish original by Megan McDowell. The novel contains a number of photographs. In his Acknowledgements, Fonseca thanks Gabriel Piovanetti and Jorge Méndez for “their talent as photographers.”
Peter Gizzi. Ship of State. Kingston, NY: The Brother in Elysium, 2020. Peter Gizzi’s poem “Ship of State,” a meditation on death, grief, empathy, and survival, is combined with unique photo collages by artist and designer Jon Beacham. The book produced in a very limited edition of 12, no two copies exactly alike.
Rachel Eliza Griffiths. Seeing the Body. NY: W.W. Norton, 2020. The book contains a section of poems entitled “daughter:lyric:landscape” that consists of poems dealing with the death of Griffith’s mother and self-portrait photographs. She writes that these images show herself as “woman as ghost, woman as body, geography, and imagination, woman as a self, as a resistance, that is ever tense in the progression of frames, woman in the perpetuity of language, and woman in the sanctity of intuition.” See my review here.
Bruno Lloret. Nancy. San Francisco: Two Lines Press, 2020. Translated from the 2015 Spanish original by Ellen Jones. A deathbed novel with photographs by the Chilean writer.
Bernadette Mayer. Memory. Catskill, NY: Siglio, 2020. From the publisher’s website: “In July 1971, Bernadette Mayer embarked on an experiment: For one month she exposed a roll of 35mm film and kept a daily journal. The result was a conceptual work that investigates the nature of memory, its surfaces, textures and material. Memory is both monumental in scope (over 1100 photographs, two hundred pages of text and six hours of audio recording) . . . This publication brings together the full sequence of images and text for the first time in book form, making space for a work that has been legendary but mostly invisible. Originally exhibited in 1972 by pioneering gallerist Holly Solomon, it was not shown again in its entirety until 2016. The text was published without the photographs in 1975 and has been long out of print.”
Column McCann. Apeirogon: A Novel. NY: Random House, 2020. This novel, based on the true lives of two men—one Israeli, one Palestinian— whose daughters were both killed as a result of the ongoing conflict in Israel, contains about a dozen photographs, mostly from stock photo agencies.
Lance Olsen. My Red Heaven. Ann Arbor: Dzanc Books, 2020. Olsen’s novel, inspired in part by an abstract painting by Otto Freundlich called “Mein Roter Himmel” (My Red Heaven), 1933, takes place on a single day in 1927 Weimar Berlin. Olsen brings to life numerous German luminaries, including Otto Dix, Ludwig Mies van der Rohe, and Vladimir Nabokov, among others. The final pages of the book include ten b&w uncredited photographs of the interior of a decaying building that was once obviously quite grand.
Bojan Savić Ostojić, Ništa nije ničije. Belgrade: Kontrast, 2020. A novel in Serbian (“Nothing Belongs to Anyone“) with photographs, dedicated to Anaïs Nin and Henry Miller. While exploring Belgrade flea-markets, the narrator finds many libraries that had belonged to dead writers, a heritage to the former Yugoslavia.
Caryl Pagel. Out of Nowhere Into Nothing. Tuscaloosa, AL: FC2: 2020. On the copyright page of this book is the following statement: “This book is interested in memory, accumulating particulars, and retelling a good story. It is a work of nonfiction and fiction. Though it includes research and aims for veracity, the narratives ultimately rely on the author’s version of events. The author has been, and could still be, mistaken.” The pieces in this wonderful book (one hesitates to call them essays) morph slowly and mysteriously from subject to subject. Anything is game to Pagel’s curiously open mind — from sinkholes to Spiral Jetty, from Alexander Humboldt to Lucy Lippard. There are photographs, but they don’t often explain or illustrate. They suggest, instead.
Ransom Riggs. The Conference of Birds. NY: Dutton, 2020. The fifth in the series of Miss Peregrine’s Peculiar Children’s books based on Riggs’s extraordinary collection of snapshots, cabinet cards, cartes-de-visites, etc., all used to tell stories largely intended for young adult audiences. To quote the publisher, this volume’s story is: “With his dying words, H—Jacob Portman’s final connection to his grandfather Abe’s secret life entrusts Jacob with a mission: Deliver newly contacted peculiar Noor Pradesh to an operative known only as V. Noor is being hunted. She is the subject of an ancient prophecy, one that foretells a looming apocalypse.”
John Schad. Paris Bride: A Modernist Life. California: Punctum Books, 2020. Schad recreates the life of a completely obscure woman who, in 1924, after twenty years of marriage, walks out and seems to disappear. He borrows from texts by a number of authors from the time, including Virginia Woolf, Franz Kafka, several Paris Surrealists, Stéphane Mallarmé, Oscar Wilde, Katherine Mansfield, and Walter Benjamin. And he includes thirty-two period photographs, some of which show documents or works of art. Several of the images are stills from René Clair’s 1924 film Entr’acte.
Antonio Tabucchi. Stories with Pictures. Brooklyn: Archipelago Books, 2020. Tabucchi responds to photographs, drawings, and paintings from his dual homelands of Italy and Portugal, among other countries.
Manuel Vilas. Ordesa. NY: Riverhead, 2020. Translated from the 2018 Spanish original by Andrea Rosenberg. An “autobiographical novel” with photographs by the author. A nostalgic love letter to the town in which Vilas grew up (Ordesa, Spain), to his father, and to the 1970s.
Hans Jürgen von der Wense. A Shelter for Bells: From the Writings of Hans Jürgen von der Wense. Point Reyes Peninsula, CA: Epidote Press, 2020. Von der Wense is described as a “composer, translator, folklorist, wanderer, aphorist, encyclopedist, poet, and consummate mystagogue of the landscape” and “A radical, tireless, nearly obsessive walker (not unlike his Swiss contemporary Robert Walser or German compatriot W. G. Sebald).” This volume is “a collection of fragments and aphorisms” that includes photographs and other types of images. Von der Wense appears to be the creation of artist Herbert Pföstl.
Kate Zambreno. Drifts. NY: Riverhead, 2020. A novel about writing a novel (this novel), creativity, and what it means to be an artist, with photographs by Peter Hujar, Sarah Charlesworth, the Rodin Museum (Paris), and the author.