Now, as the edges of my field of vision are beginning to darken, I sometimes wonder if I will ever finish the Temple and whether all I have done so far has not been a wretched waste of time. But on other days, when the evening light streams in through the window and I allow myself to be taken in by the overall view, then I see for a moment the Temple with its antechambers and the living quarters for the priesthood, the Roman garrison, the bath-houses, the market stalls, the sacrificial altars, covered walkways and the booths of the moneylenders, the great gateways and staircases, the forecourts and outer provinces and the mountains in the background, as if everything were already completed and as if I were gazing into eternity.
This is W.G. Sebald’s narrator summarizing for the reader the statements made to the narrator by “Thomas Abrams” in The Rings of Saturn. Abrams, a pseudonym for Alec Garrard, spent some thirty years making an archeologically-correct model of the Temple of Jerusalem from 1980 until his death in 2010. To scholar Heike Polster, a professor of German at the University of Memphis, “the parallels between Abrams’ model building and Sebald’s poetics warrant a comparison.”
In her 2009 book The Aesthetics of Passage: The Imag(in)ed Experience of Time in Thomas Lehr, W.G. Sebald, and Peter Handke (Würzburg: Königshausen & Neumann), Polster “investigates how we came to image time and space in the first place, and how specific narratives and aesthetic images can probe philosophical concepts of temporality and spatiality.”
The point of this book is to map an alternative to the concept of simultaneity, one which is oriented toward Deleuzian models of the imaging of time. This innovative concept, which I call “heterochronicity,” denotes visual strategies that seek to parallelize temporally non-identical acts of visual reception…It builds on recent work in anthropology and social geography that has emphasized the evocative potential of space….Hence, this book develops a nuanced vocabulary able to determine the narrative and aesthetic strategies of images and texts which attempt to show past times, and unfolding times without changing the frame of observation. Read more