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Posts from the ‘Conversations with Writers’ Category

Conversation with Uwe Schütte

Figurationen

Uwe Schütte is a Reader in German at Aston University, where he has taught since 1999. He has a PhD. from the University of East Anglia, where he studied under W.G. Sebald. His new book about the poetry of W.G. Sebald has just been published by Edition Isele in Eggingen, Germany, at the very affordable price of 16 Euros.

Vertigo: Your new book Figurationen is a study of Sebald’s poetical writings. Why did you decide to write about this aspect of Sebald’s work?

Schütte: The book actually came about by chance. For a long while I meant to write an essay on Über das Land und das Wasser (2008), the collection of Sebald’s poetry edited by Sven Meyer, but I never really got round to doing it. Then the opportunity arose to present a paper on Sebald’s poetry at a conference in Cardiff, Wales. I actually couldn’t attend due to illness but nevertheless wrote the essay for inclusion in the conference proceedings volume.

Taking a closer look at the poems, which I had so far only considered to be appendixes to the prose texts, I discovered that they have considerable merits independent of the prose books. In connection with my research, I came across some articles by the Swedish scholar Axel Englund which contained incisive close readings of several poems that stimulated my interest further. Another factor were the often eye-opening explanatory notes provided by Iain Galbraith, the translator and editor of Across the Water and The Land (2011), the English version of the poetry collection. Read more

Conversation with Poet Nathan Hoks

Hoks Double page spread

I first encountered the poetry of Nathan Hoks when he read from his new book The Narrow Circle at New Bo Books, located in the hip New Bohemia district of Cedar Rapids, Iowa. I was intrigued by the poems he read and as he flipped through his book during the reading I was surprised to see images on some of the pages. I bought a copy and started to spend time with it. The more I read the poems and pondered the relationship between his poems and the pages with photographs, the more impressed I was with the individual poems and the thoughtful construction of the book as a whole. In November, I posted a short piece on The Narrow Circle and I emailed Nathan to propose that we conduct a short conversation for Vertigo that would focus on his use of photographs. Here is the result.

Vertigo: First of all, tell us a bit about your intentions for the structure of The Narrow Circle, which is bifurcated into two halves with twenty-two poems each. The first section is labeled The Interior and almost every poem in that section has the word “interior” in the title.  The second section does the same for The Exterior.  How did you arrive at this structure?

Nathan: One summer I simply fell in love with the word “interior.” Read more