Emmanuel Iduma’s A Stranger’s Pose is a discontinuous journey that zigzags across parts of north Africa. As a traveler who often lacks the local language, Iduma and the people he meets are constantly forced to assess each other with little or no language. The camera that he carries can be perceived as a threat or an invitation. Finding a common language—even if it is simply gestural— is the first priority.
The book consists of seventy-seven short pieces that include brief stories, conversations, dreams, reflections, poems, and photographs that are credited to Iduma and a dozen or so others. The book covers a swath of the continent that spans from Casablanca and Rabat in the North to Dakar in the West and Addis Ababa in the east. The seeming lack of structure, be it geographic or temporal, struck me as one of the book’s strengths, because it instantly converts the reader into a traveler, waking up in a new place daily, coming across strangers in a strange land every few pages. As Rebecca Solnit’s book A Field Guide to Getting Lost constantly reminds us, travel is a kind of dream state in which we are unmoored from almost everything familiar. Read more