Here is my bibliography of works of fiction and poetry published in 2017 containing embedded photographs. You can see bibliographies for other years underneath the pull-down menu “Photo-Embedded Literature” at the top of Vertigo. I also maintain a more complete bibliography that spans 1892 to the present at Library Thing (http://www.librarything.com/catalog/VertigoTwo). I am always updating these lists as I learn of new books. If you know of a book that I have not mentioned, please let me know in a comment. My thanks to Vertigo readers who have already pointed out books that I had not known about! [Updated February 15, 22, 2018.]
Mary Jo Bang. A Doll for Throwing. Minneapolis: Graywolf Press, 2017. A book-length series of poems about Lucia Moholy-Nagy and her circle. Lucia was married to the famous Bauhaus artist Laszlo Moholy-Nagy for several years. When she fled Germany, her negatives ended up in the care of Walter Gropius, who used them for many years (without any attribution to Lucia) to bolster his reputation as an architect and founder of the Bauhaus. Lucia, who lived to be ninety-five, spent much of her life trying to regain her negatives from Gropius and restore her rightful place in the histories of the Bauhaus and photography. The book’s title is taken from a woven, flexible doll designed by Bauhaus artist Alma Siedhoff-Buscher that supposedly always landed with grace. The book ends with a single photograph by Lucia from 1926. It’s a stunningly Bauhausian image depicting a room Walter and Ilse Gropius’s house. See my review here.
Sara Baume. A Line Made By Walking. London: William Heineman, 2017. The title of Baum’s book comes from the similarly-named work of art created by Richard Long in 1967. Long made an ephemeral straight line by tamping down the grass as he walked across a field. The line was then photographically documented, although Long referred to the line as a work of sculpture. In Baum’s novel, a young struggling artist hoping for an creative renewal moves to the countryside, where she contemplates life and ponders numerous well-known works of contemporary art. Each of the ten chapters is named after an animal found in the countryside and is accompanied by a photograph of a dead animal. Although not explicitly noted, the photographs are likely by the author.
Clément Bénech. Un Amour d’Espion. Paris: Flammarion, 2017. Bénech’s novel contains 27 snapshots by the author, a couple of maps, and simple line drawings. Read more