Portrait of Sebald by Marc Volk, 1992.
Uwe Schütte has written a new book about W.G. Sebald called Annäherungen (“Approximations”) to mark what would have been Sebald’s 75th birthday on May 18, 2019. This highly personal book by Schütte, a former PhD student of Sebald’s, comprises seven non-academic essays which aim to reflect a portrait of the author’s nonconformist personality and idiosyncratic texts. Avoiding the standard Sebaldian topics such as memory, exile, the Holocaust, trauma and so on, Schütte’s essays in Annäherungen deal with subjects like Sebald’s love of trees and his fascination with fire. He examines Sebald’s deep attachment to animals, explores the huge significance of his grandfather on his writings, and tries to characterize his extraordinary role as an academic. Annäherungen casts seven very different spotlights on Sebald. The essays–each beginning with a pertinent, often rare photographic image–illuminate previously unknown aspects of Sebald’s writings and open up new connections.
The book has been published by Vandenhoeck & Ruprecht Verlage.
Let me just say right from the start that Uwe Schütte’s new short, general introductory book W.G. Sebald is excellent. Published in Liverpool University Press’s “Writers and their Work” series, Schütte’s book is now the place to start with one’s study of Sebald. I am really surprised that something like this had not been done in the seventeen years since Sebald’s death. It seems so simple, doesn’t it—summarize an author’s life, books, and impact in 130 pages? Schütte makes this look easy, which is a credit to the clarity of his writing and critical thinking. But in truth this is not an easy genre to master. And undoubtedly, some passage of time is required so that a solid body of critical writing can amass and, in turn, be evaluated.
From 1992 to 1997, Schütte was Sebald’s sole post-graduate student at the University of East Anglia, and thus, he notes, “I could witness his meteoric rise to international literary fame from a close distance.” Schütte’s book contains seven chapters, five of which are dedicated to specific books by Sebald: After Nature, Vertigo, The Emigrants, The Rings of Saturn, and Austerlitz. “From After Nature to Austerlitz, [Sebald’s] goal is always to create a poetic truth, to make visible the invisible, to allow the metaphysical to enter the profane.” Schütte is good at outlining the sources for these five books—how much originated originated from Sebald’s own life and personal experience, how much from his German upbringing, and what came out of his extensive research. The Rings of Saturn, for example, was not intended to be a book but was simply a plan to make ten walks in East Anglia and write ten articles for a German newspaper. Read more
In her book Ariadne’s Thread: In Memory of W.G. Sebald, Philippa Comber wrote intriguingly of a screenplay that Sebald had written on Immanuel Kant, but which was never produced. Now, as a result of the efforts of Uwe Schütte, the script will be produced for radio by the German station WDR3 for airing on July 11. Jetzund kömpt die Nacht herbey: Ansichten aus dem Leben und Sterben des Immanuel Kant is the only extensive screenplay Sebald ever wrote and drafts of it remain in his archive in Marbach. The title of the screenplay, by the way, comes from the first line of a poem by Martin Opitz (1597-1639), which was set to music as a lovely song by Johann Nauwach around the same time.
Here’s the text of the press release from WDR3: Read more
Interventionen. Literaturkritik als Widerspruch bei W. G. Sebald (English translation: Interventions. Criticism as Dissent in the Works of W.G. Sebald), a new book by Uwe Schütte, has just been published by Edition Text+Kritik. This massive study, running to some 650 pages, promises to undertake the first comprehensive analysis of Sebald’s critical works. For more than thirty years, Sebald produced a wide-range of critical writings, including several monographs, collected volumes of essays, academic articles, literary essays, journalism, book reviews in English and German, and even obituaries. Until recently the bulk of this large body of critical writings has been generally ignored by Sebald scholars, even though it is increasingly clear that it is an essential component of his total literary output. Read more
Sebald at Literaturhaus Stuttgart © Heiner Wittmann
The 70th anniversary of the birth of W.G. Sebald is coming up on May 18, 2014. To mark this date, the Literaturhaus in Stuttgart has planned an event for Tuesday May 20, featuring Sebald scholar Uwe Schütte. Schütte is scheduled to give a talk called “Das Land das man nur barfuß betreten darf: W.G. Sebalds Lyrik” (“the land one may only enter barefoot”), based on his recent study Figurationen. He will talk about the development of Sebald’s poetry from his first attempts at writing literary texts to the final micro-poems that were evolved just before his premature death. Florian Höllerer, who was the director of the Literaturhaus from its inception until the end of 2013, will serve as moderator for the evening. Tickets may be acquired at the website. Read more
British readers may be interested to know that Susi Bechöfer, whose life provided the major model for Sebald’s character Jacques Austerlitz, is making a public appearance at Aston University on Thursday February 13, 2014. Read more
Uwe Schütte is a Reader in German at Aston University, where he has taught since 1999. He has a PhD. from the University of East Anglia, where he studied under W.G. Sebald. His new book about the poetry of W.G. Sebald has just been published by Edition Isele in Eggingen, Germany, at the very affordable price of 16 Euros.
Vertigo: Your new book Figurationen is a study of Sebald’s poetical writings. Why did you decide to write about this aspect of Sebald’s work?
Schütte: The book actually came about by chance. For a long while I meant to write an essay on Über das Land und das Wasser (2008), the collection of Sebald’s poetry edited by Sven Meyer, but I never really got round to doing it. Then the opportunity arose to present a paper on Sebald’s poetry at a conference in Cardiff, Wales. I actually couldn’t attend due to illness but nevertheless wrote the essay for inclusion in the conference proceedings volume.
Taking a closer look at the poems, which I had so far only considered to be appendixes to the prose texts, I discovered that they have considerable merits independent of the prose books. In connection with my research, I came across some articles by the Swedish scholar Axel Englund which contained incisive close readings of several poems that stimulated my interest further. Another factor were the often eye-opening explanatory notes provided by Iain Galbraith, the translator and editor of Across the Water and The Land (2011), the English version of the poetry collection. Read more