All next week, University College London is holding its annual Festival of Culture. The list of programs looks great, especially this Sebald-related event:
A Refugee Child in WW2 London
Friday 8 June, 12.30-1.30pm
Institute of Archaeology G6 Lecture Theatre
This event marks the 80th anniversary of the first of the Kindertransports in 1938, in which thousands of refugee children came to Britain from Nazi-occupied Europe, many of them passing through London via Liverpool Street station. We’ll explore one of our century’s greatest novels, W.G. Sebald’s Austerlitz (2001), about a Jewish child who comes to London on a Kindertransport from Prague and recounts his search in later life for his, and Europe’s, lost past.
This is a panel event including talks, film screening and discussion with the audience. Speakers Dr Zoltán Biedermann, Prof. Stephanie Bird, Dr Mererid Puw Davies and Prof. Mairéad Hanrahan are from UCL’s School of European Languages, Culture and Society (SELCS).
All are welcome. Tickets are free and can be booked here:
I’m not sure how four speakers, a film screening, and a discussion will fit into a single hour…
© Claudio Parmiggiani, Senza Titolo, 2009
Book, plaster cast, clock
“Melancholia,” an intriguing new exhibition has just opened in Brussels at the Boghossian Foundation – Villa Empain. Although somewhat similarly named, this exhibition is not related to the Melancholia: A Sebald Variation, which recently closed at King’s College London. The Brussels exhibit, on view through August 19 at the Boghossian Foundation – Villa Empain, Avenue Franklin Roosevelt 67, B – 1050 Brussels. From the press release:
I’ll be visiting London and Cambridge in April and the folks at the London Review Bookshop have invited me to join in a program celebrating the 20th anniversary of the publication in Great Britain of W.G. Sebald’s The Rings of Saturn. Grant Gee will be screening his terrific film Patience (After Sebald). Here’s the LRB’s program preview:
Marking 20 years since the translation into English of the late W.G Sebald’s The Rings of Saturn, one of the most remarkable books of the late twentieth century, Grant Gee introduces his acclaimed 2011 documentary essay film tracking both the journey taken in the volume, and the work’s own influence on numerous writers, artists and thinkers.
He will be joined in conversation by the film’s creative consultant, writer and critic Chris Darke, and Terry Pitts, founder of the remarkable literary blog Vertigo, founded out of a profound admiration for Sebald’s work. The evening is hosted by Gareth Evans.
You can purchase tickets for the 7:00 PM event at the LRB website. Come say hello!
In preparation for watching Patience, take a listen to the film’s hauntingly beautiful score by The Caretaker over at Bandcamp. Leyland Kirby (aka The Caretaker) used Franz Schubert’s 1827 piece Winterreise as his source material, which he “subjected to his perplexing processes, smudging and rubbing isolated fragments into a dust-caked haze of plangent keys, strangely resolved loops and de-pitched vocals which recede from view as eerily as they appear.”
Han Kang. The White Book. London: Portobello Books, 2017. Translated from the Korean by Deborah Smith.
Each moment is a leap forwards from the brink of an invisible cliff, where time’s keen edges are constantly renewed. We lift our foot from the solid ground of all our life lived thus far, and take that perilous step out into the empty air. Not because we can claim any particular courage, but because there is no other way. Now, in this moment, I feel that vertiginous thrill course through me. As I step recklessly into time not yet lived, into this book I have not yet written.
Every piece of writing is a performance of some sort, the execution of a task intended for public consumption. But Han Kang’s The White Book feels performative in a way that few books do. The book begins with a list of things that are white. “With each item I wrote down, a ripple of agitation ran through me. I felt that yes, I needed to write this book, and that the process of writing it would be transformative.” Over the course of the book, numerous small, modest performances—breathing, observing, walking, touching—lead Han Kang to powerful memories, flights of imagination, and life-changing realizations. Read more
Since 2014, the Bill T. Jones/Arne Zane Company has been developing a trilogy of major, evening-length dances, one of which is based on the Ambros Adelwarth segment of W.G. Sebald’s The Emigrants. That trilogy is about to be performed in Seattle at the University of Washington on the evenings of February 1, 2, and 3. Here are the details from the University’s website.
Bill T. Jones’s latest work, Analogy: A Trilogy, is comprised of three evening-length works that reflect Jones’s fierce engagement with race, class, gender, history, and identity. Over three nights, Meany Center will present the entire trilogy (one of the first ever presentations in the country). The program, which features a live music soundscape, searches for the connection between three stories, focusing on memory and the effect of powerful events on the inner lives of individuals.
PROGRAM A | THURSDAY, FEBRUARY 1
The first work from Analogy stems from an oral history Jones conducted with 95-year old Dora Amelan, a French Jewish nurse and survivor of WWII. Dora is a meditation on perseverance, resourcefulness and resilience while suggesting the amorphous nature of memory.
PROGRAM B | FRIDAY, FEBRUARY 2
LANCE: PRETTY AKA THE ESCAPE ARTIST
Based on an oral history Jones conducted with his nephew, Lance T. Briggs. Lance is a tragic, yet humorous journey through the sex trade, drug use and excess during the 1980s.
PROGRAM C | FRIDAY, FEBRUARY 3
AMBROS: THE EMIGRANT
This final program in Analogy is based on Ambros Adelwarth, a German valet to a dissipated, young scion of a wealthy Jewish family, from W. G. Sebald’s celebrated historical novel, The Emigrants. Ambros is an exploration of how trauma can go underground in the psyche to direct the course of an individual’s life.
Click here for more information and tickets.