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Posts tagged ‘W.G. Sebald’

A New General Introduction to W.G. Sebald Is Published

Schutte Sebald Book Cover

Let me just say right from the start that Uwe Schütte’s new short, general introductory book W.G. Sebald is excellent. Published in Liverpool University Press’s “Writers and their Work” series, Schütte’s book is now the place to start with one’s study of Sebald. I am really surprised that something like this had not been done in the seventeen years since Sebald’s death. It seems so simple, doesn’t it—summarize an author’s life, books, and impact in 130 pages? Schütte makes this look easy, which is a credit to the clarity of his writing and critical thinking. But in truth this is not an easy genre to master. And undoubtedly, some passage of time is required so that a solid body of critical writing can amass and, in turn, be evaluated.

From 1992 to 1997, Schütte was Sebald’s sole post-graduate student at the University of East Anglia, and thus, he notes, “I could witness his meteoric rise to international literary fame from a close distance.” Schütte’s book contains seven chapters, five of which are dedicated to specific books by Sebald: After Nature, Vertigo, The Emigrants, The Rings of Saturn, and Austerlitz. “From After Nature to Austerlitz, [Sebald’s] goal is always to create a poetic truth, to make visible the invisible, to allow the metaphysical to enter the profane.” Schütte is good at outlining the sources for these five books—how much originated originated from Sebald’s own life and personal experience, how much from his German upbringing, and what came out of his extensive research. The Rings of Saturn, for example, was not intended to be a book but was simply a plan to make ten walks in East Anglia and write ten articles for a German newspaper. Read more

Sebald Symposium in London November 29, 2018

Leonardo da Vinci, Whirlpools of Water. Windsor, Royal Library.

The Institute of Advance Studies at University College London has announced a one-day symposium on W.G. Sebald. There is a call for papers “on any aspect of turbulence, in the widest sense.” Proposals are due November 8. See below for details, or visit the website. For more on the topic of turbulence, look here.

Call for Papers

Turbulence: The Work of W.G. Sebald

An Interdisciplinary Symposium

Institute of Advanced Studies (IAS), UCL, London, 29 November 2018

This symposium explores the theme of turbulence in the literary work of W.G. Sebald (1944-2001), from an interdisciplinary perspective.

Sebald’s work is celebrated for its rich and complex accounts of journeys, including by air, a mode of travel which we commonly associate with the distinctive feeling of turbulence. In addition however, our enquiry considers the idea of turbulence in wider senses. We link it for instance to the vertiginous sensations of travel in general in this writing, and recognise that turbulence may not end on arrival, for a destination, once reached, can itself seem disorienting and to shift in uncanny ways. We are interested too in turbulent experiences of travels into the past, memory and intertextuality; and those produced for the reader by Sebald’s complex poetics and narrative techniques. Crucially too, we will investigate the multi-disciplinary, multilingual travels which Sebald’s writing undertakes into new languages, media, forms and contexts as other artists engage with it in their own work, and we look forward to conversations with distinguished practitioners in a variety of fields. 

Speakers include poet Stephen Watts; novelist, academic and critic Angharad Price (Prifysgol Bangor) and visual artist Simon Faithfull (Slade School of Fine Art).

Our symposium will be followed on the morning of Friday 30 November by an exploration of parts of the East London featured in Sebald’s novel Austerlitz, on a guided walk with Stephen Watts and David Anderson (UCL).

 Call for Papers

We invite twenty-minute papers on any aspect of turbulence, in the widest sense, and attendant phenomena in the work of W.G. Sebald and others. We are especially interested in submissions which address interdisciplinary and comparative aspects of our themes.

Please submit an abstract (200 words) and a short biography (100 words) to Mererid Puw Davies, Department of German / SELCS, UCL (mererid.davies@ucl.ac.uk), by 8 November 2018. Speakers will be notified by 12 November 2018. 

Registration and Further Details

Both the symposium and the walk are free to attend. All are welcome and online registration will open soon. In the meantime, please send any questions or register your attendance with an email to mererid.davies@ucl.ac.uk.

Vienna Exhibition Focuses on Sebald

Croy Nielsen

Tess Jaray, “Sketch from a letter to W.G. Sebald,” circa 1999. Pencil on photocopy.

“All’estero & Dr. K.’s Badereise nach Riva: Version B,” a group exhibition at the Croy Nielsen gallery in Vienna, takes its inspiration from two chapters in W.G. Sebald’s Vertigo (Schwindel. Gefühle). Curated by Saim Demircan, this is part of an annual “gallery share” event called, appropriately, “curated_by,” which involves twenty-one galleries across Vienna. Read more

Sebald Audio Books

I thought it might worthwhile to do a roundup of the W.G. Sebald audio books available as of today, August 2018. The first six of the titles below are available for individual purchase (as downloads) via Audible, either individually or through an Audible subscription. Click here to see Sebald’s titles on Audible, where sample sections may be heard. Three of these titles are also available for download purchase at Audiobookstore.com, where the prices are somewhat cheaper. Sample sections can be heard here, too. All English-language titles are available for download at iTunes—along with several podcasts in English & German about Sebald).

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English-language audio books.

Austerlitz audio

Austerlitz. Narrator: Richard Matthews. (Audible, Audiobookstore.com & iTunes)

Read more

80th Anniversary of the Kindertransport

UCL Festival

All next week, University College London is holding its annual Festival of Culture. The list of programs looks great, especially this Sebald-related event:

A Refugee Child in WW2 London
Friday 8 June, 12.30-1.30pm
Institute of Archaeology G6 Lecture Theatre

This event marks the 80th anniversary of the first of the Kindertransports in 1938, in which thousands of refugee children came to Britain from Nazi-occupied Europe, many of them passing through London via Liverpool Street station. We’ll explore one of our century’s greatest novels, W.G. Sebald’s Austerlitz (2001), about a Jewish child who comes to London on a Kindertransport from Prague and recounts his search in later life for his, and Europe’s, lost past.

This is a panel event including talks, film screening and discussion with the audience. Speakers Dr Zoltán Biedermann, Prof. Stephanie Bird, Dr Mererid Puw Davies and Prof. Mairéad Hanrahan are from UCL’s School of European Languages, Culture and Society (SELCS).

All are welcome. Tickets are free and can be booked here:

http://www.ucl.ac.uk/festival-of-culture/events/festival-of-culture-friday-8-june-2018

I’m not sure how four speakers, a film screening, and a discussion will fit into a single hour…

London Review Bookshop Event – April 23

Patience Preview

I’ll be visiting London and Cambridge in April and the folks at the London Review Bookshop have invited me to join in a program celebrating the 20th anniversary of the publication in Great Britain of W.G. Sebald’s The Rings of Saturn. Grant Gee will be screening his terrific film Patience (After Sebald). Here’s the LRB’s program preview:

Marking 20 years since the translation into English of the late W.G Sebald’s The Rings of Saturn, one of the most remarkable books of the late twentieth century, Grant Gee introduces his acclaimed 2011 documentary essay film tracking both the journey taken in the volume, and the work’s own influence on numerous writers, artists and thinkers.

He will be joined in conversation by the film’s creative consultant, writer and critic Chris Darke, and Terry Pitts, founder of the remarkable literary blog Vertigo, founded out of a profound admiration for Sebald’s work. The evening is hosted by Gareth Evans.

You can purchase tickets for the 7:00 PM event at the LRB website. Come say hello!

In preparation for watching Patience, take a listen to the film’s hauntingly beautiful score by The Caretaker over at Bandcamp. Leyland Kirby (aka The Caretaker) used Franz Schubert’s 1827 piece Winterreise as his source material, which he “subjected to his perplexing processes, smudging and rubbing isolated fragments into a dust-caked haze of plangent keys, strangely resolved loops and de-pitched vocals which recede from view as eerily as they appear.”

Sebald, Dance, Seattle

Bill T Jones Adelwarth

Since 2014, the Bill  T. Jones/Arne Zane Company has been developing a trilogy of major, evening-length dances, one of which is based on the Ambros Adelwarth segment of W.G. Sebald’s The Emigrants. That trilogy is about to be performed in Seattle at the University of Washington on the evenings of February 1, 2, and 3. Here are the details from the University’s website.

Bill T. Jones’s latest work, Analogy: A Trilogy, is comprised of three evening-length works that reflect Jones’s fierce engagement with race, class, gender, history, and identity. Over three nights, Meany Center will present the entire trilogy (one of the first ever presentations in the country). The program, which features a live music soundscape, searches for the connection between three stories, focusing on memory and the effect of powerful events on the inner lives of individuals.

PROGRAM A | THURSDAY, FEBRUARY 1
DORA: TRAMONTANE
The first work from Analogy stems from an oral history Jones conducted with 95-year old Dora Amelan, a French Jewish nurse and survivor of WWII. Dora is a meditation on perseverance, resourcefulness and resilience while suggesting the amorphous nature of memory.

PROGRAM B | FRIDAY, FEBRUARY 2
LANCE: PRETTY AKA THE ESCAPE ARTIST
Based on an oral history Jones conducted with his nephew, Lance T. Briggs. Lance is a tragic, yet humorous journey through the sex trade, drug use and excess during the 1980s.

PROGRAM C | FRIDAY, FEBRUARY 3
AMBROS: THE EMIGRANT
This final program in Analogy is based on Ambros Adelwarth, a German valet to a dissipated, young scion of a wealthy Jewish family, from W. G. Sebald’s celebrated historical novel, The Emigrants. Ambros is an exploration of how trauma can go underground in the psyche to direct the course of an individual’s life.

Click here for more information and tickets.

Bill T. Jones Debuts “Analogy Trilogy: Ambros: The Emigrant”

Three years ago I wrote about the Bill T. Jones/Arnie Zane Company’s plans to develop a dance around the Ambros Adelwarth segment of W.G. Sebald’s The Emigrants. “Analogy/Ambros: The Emigrant” just had its world premiere on July 21, 2017 at Dancer’s Workshop in Jackson Hole, Wyoming. The dance is the final section of a trilogy which was first performed as a unit on the nights of July 27-29 at American Dance Festival 2017 in Durham, North Carolina. There is a 9 1/2 minute interview with Bill T. Jones on the dance on Soundcloud. The 90-minute dance  was reviewed by Susan Broili in the Raleigh, North Carolina newspaper The News & Observer, in which the following excerpt appeared:

“Analogy/Ambros: The Emigrant” begins with the live sound of whispering voices and Bill T. Jones’ recorded recitation of evocative text from W. G. Sebald’s The Emigrants, a fictionalized history of four men, including Ambros Adelwarth, a German manservant who serves as companion to Cosmo, the privileged son of a wealthy Jewish family. The narrative tracks Ambros’ experience traveling with Cosmo, through Europe and the Middle East on the eve of WWII.

The recorded text describes how Ambros Adelwarth and his charge, Cosmo, asleep on the deck of a steam ship on their way to an excursion abroad, are visited by a quail, who lands on Cosmo, settles down to sleep, and then flies away in the morning.

 In this work, Jones and collaborators, who include assistant artistic director Janet Wong, amaze with their scope and with the engaging quality of the multi-media elements woven seamlessly into the work.

The live music provides a rare treat as does the dancers’ singing with professional flare. Most of the time, their singing, both in solos and in harmony with others, is achingly beautiful.

Read more

Austerlitz CD

Austerlitz CD box1

A new nine-CD audio set of W.G. Sebald’s Austerlitz has just been issued. The entire book is read by Michael Krüger, Sebald’s long-time friend and publisher. Plus, there is a section of Austerlitz read by Sebald in 2001 at the Unterberg Poetry Center of New York’s 92 Street Y, which can be seen on YouTube. Krüger gives an excellent reading of Sebald’s final novel, speaking in a gentle, slow intonation that sounds much like Sebald himself. There is also a related six-minute podcast reviewing the new CD set that can be heard (and downloaded) at the website of WDR3. From 1968 to 2013, Krüger worked at Carl Hanser Verlag, which was Sebald’s German publisher from 1998 until 2008.

In Europe, the CD set is available from multiple sources that have links on the Random House website. In the US, the set can be purchased from multiple sources through Amazon. The list price is surprising affordable at €29,99 in Europe, with prices starting at $35 in the US.

[This post was edited and updated after I received my copy of the CD set.]

The Arca Project: An Exhibition Inspired by the Work of W.G.Sebald

steven-scott-resized[print for the Arca Project by Steven Scott]

More than fifteen years after his death, the writings of W.G. Sebald continue to inspire artists and exhibitions. The latest example is an announcement by the PayneShurvell gallery, whose next exhibition will be “The Arca Project: An Exhibition Inspired by the Work of W.G.Sebald.” According to their website, “The Arca Project is an exhibition consisting of 16 visual and 16 textual responses to one single image. Each response has been realised as a limited edition print, developed and made by Invisible Print Studio.” The exhibition is scheduled to open April 1 at a location about a half hour north of Ipswich in Suffolk, England (details at their website).

In the same way that The Rings of Saturn takes a single idea, a walking tour, to open up a wide range of ideas and conversations, The Arca Project sent 16 international artists and 16 writers exactly the same image and asked them to interpret the image as they wished (the only limitation was the uniform paper orientation and size). The recurrence of this image offers many interpretations. All are fictitious. It is a game of false interpretations. The idea is to have artists and writers in a Sebaldian mix of fact and fiction, documentary and reality. Read more