Sebald, Dance, Seattle

Since 2014, the Bill  T. Jones/Arne Zane Company has been developing a trilogy of major, evening-length dances, one of which is based on the Ambros Adelwarth segment of W.G. Sebald’s The Emigrants. That trilogy is about to be performed in Seattle at the University of Washington on the evenings of February 1, 2, and 3. Here are the details from the University’s website.

Bill T. Jones’s latest work, Analogy: A Trilogy, is comprised of three evening-length works that reflect Jones’s fierce engagement with race, class, gender, history, and identity. Over three nights, Meany Center will present the entire trilogy (one of the first ever presentations in the country). The program, which features a live music soundscape, searches for the connection between three stories, focusing on memory and the effect of powerful events on the inner lives of individuals.

PROGRAM A | THURSDAY, FEBRUARY 1
DORA: TRAMONTANE
The first work from Analogy stems from an oral history Jones conducted with 95-year old Dora Amelan, a French Jewish nurse and survivor of WWII. Dora is a meditation on perseverance, resourcefulness and resilience while suggesting the amorphous nature of memory.

PROGRAM B | FRIDAY, FEBRUARY 2
LANCE: PRETTY AKA THE ESCAPE ARTIST
Based on an oral history Jones conducted with his nephew, Lance T. Briggs. Lance is a tragic, yet humorous journey through the sex trade, drug use and excess during the 1980s.

PROGRAM C | FRIDAY, FEBRUARY 3
AMBROS: THE EMIGRANT
This final program in Analogy is based on Ambros Adelwarth, a German valet to a dissipated, young scion of a wealthy Jewish family, from W. G. Sebald’s celebrated historical novel, The Emigrants. Ambros is an exploration of how trauma can go underground in the psyche to direct the course of an individual’s life.

Bill T. Jones Debuts “Analogy Trilogy: Ambros: The Emigrant”

Three years ago I wrote about the Bill T. Jones/Arnie Zane Company’s plans to develop a dance around the Ambros Adelwarth segment of W.G. Sebald’s The Emigrants. “Analogy/Ambros: The Emigrant” just had its world premiere on July 21, 2017 at Dancer’s Workshop in Jackson Hole, Wyoming. The dance is the final section of a trilogy which was first performed as a unit on the nights of July 27-29 at American Dance Festival 2017 in Durham, North Carolina. The 90-minute dance  was reviewed by Susan Broili in the Raleigh, North Carolina newspaper The News & Observer, in which the following excerpt appeared:

“Analogy/Ambros: The Emigrant” begins with the live sound of whispering voices and Bill T. Jones’ recorded recitation of evocative text from W. G. Sebald’s The Emigrants, a fictionalized history of four men, including Ambros Adelwarth, a German manservant who serves as companion to Cosmo, the privileged son of a wealthy Jewish family. The narrative tracks Ambros’ experience traveling with Cosmo, through Europe and the Middle East on the eve of WWII.

The recorded text describes how Ambros Adelwarth and his charge, Cosmo, asleep on the deck of a steam ship on their way to an excursion abroad, are visited by a quail, who lands on Cosmo, settles down to sleep, and then flies away in the morning.

 In this work, Jones and collaborators, who include assistant artistic director Janet Wong, amaze with their scope and with the engaging quality of the multi-media elements woven seamlessly into the work.

The live music provides a rare treat as does the dancers’ singing with professional flare. Most of the time, their singing, both in solos and in harmony with others, is achingly beautiful.

The following is from the dance’s program as posted on the ADF website.

ANALOGY/AMBROS: THE EMIGRANT (2017)
Conceived and Directed by Bill T. Jones.
Choreography by Bill T. Jones with Janet Wong and the Company.
Text based on “Ambros Adelwarth” from The Emigrants by W.G. Sebald, performed with the permission of The Wylie Agency, LLC. All rights reserved.
Written by Bill T. Jones and Adrian Silver.
Original Score Composed by Nick Hallett.
Music Performed by Nick Hallett and Emily Manzo.
Décor by Bjorn Amelan.
Lighting Design by Robert Wierzel.
Costume Design by Liz Prince.
Video Design by Janet Wong.
Sound Design by Sam Crawford.
Dramaturgy by Adrian Silver.

Score includes musical themes based upon “Nachtstück” by Franz Schubert and :Alinde” by Franz Schubert.
Guitars recorded by Sam Crawford and Zach Layton.
Recorded strings performed by Pauline Kim Harris (violin) and Clarice Jensen (cello).

PROGRAM NOTES
The Analogy Trilogy, which Bill T. Jones has been working on since 2013 with Janet Wong and the company, continues the company’s exploration of how text, storytelling, and movement pull and push against one other and how another experience can be had through the combination and recombination of these elements. All three works, while wildly different, consider the nature of  service, duty, and the question of what is a life well lived. Director’s Note – Analogy/Ambros: The Emigrant

“Memory, often strikes me as a kind of dumbness. It makes one’s head heavy and giddy, as if one were not looking back down the receding perspectives of time but rather down on the earth from a great height, from one of those towers whose tops are lost to view in the clouds.”
–W.G. Sebald

I found two future performances of “Analogy/Ambros:The Emigrant”: November 18, 2017, Gammage Auditorium, Arizona State University, Tempe. February 3, 2018, Meany Center for the Performing Arts, University of Washington, Seattle.

Photo: Paul B. Goode

“Ambros Adelwarth” as Contemporary Dance

The fabulous Bill T. Jones/Arnie Zane Dance Company is currently working on a major new dance called Analogy, which involves using W.G. Sebald’s story of Ambros Adelwarth from The Emigrants as part of the program. Here’s the official description from the company’s website.

Analogy (working title) is the Company’s newest creation, currently in development. Bill T. Jones, along with Janet Wong (Associate Artistic Director of the Company) and the Company dancers, are developing a new evening-length work in two parts, focusing on the memory and the effect that powerful events have on the actions of individuals and-more importantly-on their often unexpressed inner life. In Analogy (working title), Jones continues to explore the intermingling of text, storytelling and movement, paying special attention to how new experiences can be had through the coalescing of these elements. Informing the work are two literary sources-an interview conducted by Jones with Dora Amelan (a French-Jewish nurse and social worker) chronicling her life experiences, as well as the story of Ambros Adelwarth, from W.G. Sebald’s celebrated historical novel, The Emigrants – that ruminate on the nature of service and duty, and inquire into the characteristics of a life well lived.

Some portion of the dance was presented last month at Montclair State University in Montclair, New Jersey. But now the company has moved on to Jackson Hole, Wyoming.  In the local Jackson Hole newspaper, reporter Frances Moody reveals a bit more about plans for using the Sebald story in the dance. Here are some excerpts.

Analogy is in its beginning steps…In Jackson the company will focus on the first half of “Analogy.” Based on an interview Jones conducted with World War II survivor Dora Amelan, the dancers will present Amelan’s account of the Holocaust… “We want to be very sure we are not making this piece about the Holocaust,” Wong said. “We want it to be about this brave, amazing young woman who had a particular view and perspective, a woman who is now 94 years old….”

The second part of Analogy also highlights memory with Sebald’s account of Ambros Adelwarth. In The Emigrants, Adelwarth’s story begins in World War I America and ends in Jerusalem. What appears to be a captivating adventure is something Adelwarth wanted to forget. “He was almost killed by his own memories,” Wong said. “He was someone who could not bear remembering. By the time everyone had died off he had nothing else to live for. He would subject himself to electroshock therapy that killed him.”

After its residency the company will have almost a year to complete the work. Jones and his dancers will return to Jackson in June of 2015 to show the final piece.

Radio Play Ambros Adelwarth

By chance, I stumbled on a couple of links to a BBC radio play based on the third chapter of W.G. Sebald’s The Emigrants. The adaptation was done by Edward Kemp, whose website describes him as “a UK-based writer, theatre director, translator and dramaturg.” Here is the brief description of the play found there:

The Emigrants – Ambros Adelwarth. First broadcast BBC Radio 3 2001. Dramatisation of the story by WG Sebald. Adapted and directed by Edward Kemp, Produced by Jeremy Mortimer with Technical Presentation by Peter Ringrose. Music by Gary Yershon. Cast: John Wood, Henry Goodman, Eleanor Bron, Ed Bishop, Margaret Robertson, Andrew Sachs, John Schwab, Jasmine Hyde, Thomas Arnold, Maximillian Gräber. Violin – Anne Wood. “… richly enjoyable and haunting radio play” – Gillian Reynolds, Daily Telegraph.

A website devoted to British radio listings (no longer extant, unfortunately) once provided slightly different information about The Emigrants – Ambros Adelwarth:

Adapted by Edward Kemp from W G Sebald’s acclaimed novel about the experiences of Jewish emigrants. Inspired by an old photograph album to investigate the life of a lost relative, a man finds himself on a journey that traverses the 20th century, leading him from an American asylum to the shores of the Dead Sea. With John Wood (W), Henry Goodman (Ambros Adelwarth), Eleanor Bron (Aunt Fini), Ed Bishop (Uncle Kasimir), Margaret Robertson (Aunt Lina), Andrew Sachs (Dr Abramsky), Cosmo Solomon (John Schwab), Thomas Arnold, Jamsine Hyde and Maximilian Graber. Music by Gary Yershon. Directed by Edward Kemp.

That’s all I can find out about this tantalizing play.