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Posts from the ‘Sebald Event Calendar’ Category

Update on Will Self’s Upcoming Talk on Sebald

Two days ago I posted that the writer Will Self is to deliver a talk called “The Ghost of Future Past: W.G. Sebald and the Trauma of Modernity” at 7 PM on Tuesday, December 20, 2022, at St George’s German Lutheran Church, Whitechapel, London, with Rick Jones as the event’s host. At that time, The Article said the event would be both live and on zoom while the church’s website said the event is by Zoom only. I advised “Proceed with caution.” On December 4, Rick Jones clarified via email that tickets are to attend the talk in person in St George’s German Lutheran Church. Anyone wishing to watch via Zoom may apparently request to do so via the Eventbrite ticket site. Tickets are £5.

I wish I could be there.

Will Self to Talk on Sebald Dec. 20, 2022

The online platform The Article, which refers to itself as “a troll-free zone. Entertaining exchanges. Civilised conversation,” has announced that the writer Will Self will deliver a talk called “The Ghost of Future Past: W.G. Sebald and the Trauma of Modernity” at 7 PM on Tuesday, December 20, 2022, at St George’s German Lutheran Church, Whitechapel, London E1 8EB. Rick Jones hosts the event. Tickets are £5. The Article says the event is both live and on zoom. But the church’s website says the event is by Zoom only. On December 4, Rick Jones clarified via email that tickets are to attend the talk in person in St George’s German Lutheran Church. Anyone wishing to watch via Zoom may request to do so via the Eventbrite ticket site.

St. George’s German Lutheran Church is the oldest surviving German Church in Britain. The church closed for regular worship in 1996 when it was taken into care by The Historic Chapels Trust. Although it is still occasionally used for church services by the German community from London and the surrounding area, it is now principally used for concerts, lectures, meetings, and a place of historical study. St George’s German Lutheran Church is a unique testament to common heritage shared by two nations, both in the past and in the present.

Will Self has a long history of writing and speaking about Sebald. He gave the 2009 Sebald Lecture, organized by the British Centre for Literary Translation at the University of East Anglia, titled “Absent Jews and Invisible Executioners: W G Sebald and the Holocaust.” (That lecture can be heard here on SoundCloud.) More recently, he led a segment of BBC Radio’s Channel 4 Archive on 4 progam. “In the company of Sebald biographer Carole Angier and former friend, poet Stephen Wells, Self moves through the Sebaldian landscape of Southwold, Liverpool Street and the East End whilst exploring the archive devoted to one of the truly great writers of the late 20th Century.” (That program can be heard here.)

Self’s forthcoming book from Grove Press/Grove Atlantic, Why Read: Selected Writings 2001-2021, contains “a lengthy, dark, autobiographical piece on W.G. Sebald and the role of the Holocaust.”

“Explosion of Words” Exhibition in London

Hannes Schüpbach, “Explosion of Words,” detail of image 11 with words from Stephen Watts’ poem ‘For My Friend,
Max Sebald’ (Ancient Sunlight, London: Enitharmon, 2014/2021) © Hannes Schüpbach

Since one of the cornerstones of Vertigo is exploring poetry that includes photographs, a friend brought to my attention the current exhibition in London at Bow Arts’ Nunnery Gallery, “Explosion of Words,” a cinematic photo installation and imaginary library of modern poetry in translation. Here’s what the organizer’s webpage says about it:

Explosion of Words” is a cinematic photo installation, extending frieze-like over 30 metres of the Nunnery Gallery’s gothic walls, celebrating the power of language. The exhibition is the culmination of Swiss artist Hannes Schüpbach’s (b. 1965) response to the lived spaces of east London-based poet and language activist Stephen Watts (b. 1952), who works between extensive research on poetry and his own contributions as a poet and co-translator from many languages.  
Approximately 1600 pages of Watts’ ongoing Bibliography of Modern Poetry in English Translation will be mounted directly onto the gallery’s four-metre-high walls as a background for Schüpbach’s space-spanning photo installation, creating a cosmos of world poetry. Watts’ Bibliography, which is 40 years in the making, will be transformed into a physical experience, creating a ‘storehouse of language’, reflecting Watts’ own passion for poetry in every tongue. In the nave space of the gallery, an excerpt of Schüpbach’s new silent film Essais (2020), with Stephen Watts, will also be on display. 
Watts’ Bibliography opens up perspectives onto the rich wealth of poetry that has been, and still is being, written or performed out of many different histories and environments, as well as exploring the many cultural issues involved in translation.
A two-part artists’ publication has been published to coincide with the exhibition: Hannes Schüpbach: Explosion of Words. Dedicated to Stephen Watts, with an essay by Jo Catling and Stephen Watts: Explosion of Words, 19 Poems, with German translations by Hannes Schüpbach (192 pages, 19.5 × 26 cm, designed by Raphael Drechsel, GREAT, published by Verlag für moderne Kunst, Vienna), available to buy at the gallery.

PLEASE NOTE! Panel talk April 7.

Explosion of Words | ‘An Imaginary Library’: Modern Poetry and Translation Thursday 7 April, 6.30-7.45pm, Queen Mary University of London, £5/free for concessions Join a panel of speakers including Stephen Watts, Hannes Schüpbach, Jo Catling, Chris McCabe and Nisha Ramayya as they dig into the significance of Watts’ Bibliography and its crucial place in a full consideration of modern poetry and translation. (Booking is recommended as gallery space is limited. Book all events online at: bowarts.org/whats-on)

For more information on the exhibition, publication, and programming, check out the bowarts website.

The book Hannes Schüpbach: Explosion of Words contains poems by Watts and photographs by Schüpbach.

Double-page spread from Hannes Schüpbach: Explosion of Words. Photographs © Hannes Schüpbach.

New BBC Radio Program on Sebald

The BBC radio program Archive on 4 has a new episode “Self on Sebald,” narrated by writer Will Self, which can now be heard here for approximately the coming year. I listened to it and thought it was really engaging and had a terrific soundscape. The program was released on December 11, 2021, on the twentieth anniversary of Sebald’s death. Here’s the description from the program’s website:

WG Sebald created extraordinary fictions that hovered between the real and the imagined. With images and simple, yet fantastically powerful writing he told stories of loss, exile and loneliness that spoke to his own personal life. A German living in England, writing in his native tongue, haunted by history and existing in two worlds. That of his fatherland which had exterminated its Jewish populations and made a compact with memory and truth. And an England that had firebombed German cities during the war. The second silence in post war German writing and thought. In works like Austerlitz, where the burden of memory and forgetting unhinges its central character, a former Kindertransport refugee, the past silts up before breaking through in unexpected ways. The Emigrants delicately portrays the lives in exile and return of German Jewish survivors whereas The Rings of Saturn evokes landscape and the past in unsettling yet subtle ways

Will Self has long been drawn to the multi-layered worlds of WG Sebald’s fiction. Here, in the company of Sebald biographer Carole Angier and former friend, poet Stephen Watts, Self moves through the Sebaldian landscape of Southwold, Liverpool Street and the East End whilst exploring the archive devoted to one of the truly great writers of the late 20th Century.

The Great Flood of 1953

Resonance FM has another intriguing radio program coming up tomorrow night, October 27 from 8:00 to 9:00 pm, London time: “The Great Tide: Flooding, Landscape and Memory. The Great Flood of 1953.” That year, the combination of a high spring tide and a storm over the North Sea caused a surge to sweep across the East Coast, creating the worst natural disaster in Britain of the 20th century, in which 307 people lost their lives in England and over 1,800 people in the Netherlands. It also produced one of the great works of English social history, The Great Tide by Hilda Grieve, a 900-page tome that tells the story of the flood disaster in Essex. In this program, Patrick Bernard discusses The Great Tide with writer and social historian Ken Worpole, Edward Platt, author of The Great Flood, and Anne Johnson, a storyteller who runs Everyday Magic, a London-based charity which sends storytellers into state primary schools, and who lived on Canvey Island at the time of the flood. The program will be re-aired Wednesday 10:00 am.]

Sebald referred to the “catastrophic incursions of the sea” that happened century after century on the English coastline facing the Netherlands when he wrote about Dunwich in The Rings of Saturn.

Resonance FM is a 24/7 HD radio station which broadcasts on 104.4 FM to central London, nationally on Radioplayer and live streamed to the rest of the world. At a later date, the program will be made available for listening on Mixcloud and I will post that information.

Last year, Resonance aired a two-part program “Walking with Sebald.” Links to listen to it can be found here.

“Walking with Sebald” Programs Online

Kindertransport Memorial

At the Kindertransport Memorial, London

My previous post alerted readers to a radio program called “Walking with Sebald,” aired online by London radio station 104.4 Resonance FM on two nights in February. This fascinating program is now available to listen to anytime through the links below. To listen to either episode, just click on the “Play” triangles.

Novo Cemetery

Novo Cemetery, London

Patrick Bernard follows in the footsteps of W. G. Sebald and his eponymous character Austerlitz as he explores the East End of London with poet Stephen Watts (a friend of ‘Max’ Sebald who accompanied him on many of his walks). They are joined by Nadia Valman and David Anderson from Queen Mary University of London as they visit many of the locations in the novel to uncover the layers of history hidden beneath the surface of the city and Sebald’s text. In the first episode Patrick and his guests walk from Exchange Square behind Liverpool Street Station – where Austerlitz first arrives to London on the Kindertransport – to Brick Lane where Stephen reads a poem dedicated to Altab Ali and Bill Fishman.

There are more photographs of the walk here.

“Walking with Sebald” Broadcast

The London radio station 104.4 Resonance FM is about to broadcast a two part series called “Walking with Sebald.” Part one will go on at 8:00 PM London time Tuesday on the program called “Clear Spot”and will repeat Wednesday at 10:00 AM.

Walking with Sebald: Austerlitz and the East End (Part 1). In this two-part programme Patrick Bernard follows in the footsteps of W. G. Sebald and his eponymous character Austerlitz as he explores the East End of London with poet Stephen Watts (a friend of ‘Max’ Sebald who accompanied him on many of his walks). They are joined by Nadia Valman and David Anderson from Queen Mary University of London as they visit many of the locations in the novel to uncover the layers of history hidden beneath the surface of the city and Sebald’s text. In the first episode Patrick and his guests walk from Exchange Square behind Liverpool Street Station – where Austerlitz first arrives to London on the Kindertransport – to Brick Lane where Stephen reads a poem dedicated to Altab Ali and Bill Fishman. Follow our progress at walkingwithsebald.wordpress.com/. Sound recorded by Milo Thesiger-Meacham and photography by Karen Lacey-Holder. [Repeated Wednesday 10am.]

Part two will be broadcast at 8:00 PM Thursday and rebroadcast Friday morning at 10:00 AM. At some point in the future, the two broadcasts will become available to listen elsewhere. I’ll post details when I know more. It’s easy to listen. Just click on the button that says “Listen Live” and the Resonance FM radio app will open right up on your screen.

Be patient! The Resonance FM website loads very slowly.

W.G. Sebald Literature Prize & Conference Announced in the Allgäu, Where He Grew Up

die-stelen-zeigen-textauszuege-aus-dem-buch-schwindel-gefuehle
The stele with the relevant text from Vertigo as seen on the Sebaldweg, near Wertach, Germany, birthplace of W.G. Sebald.

The Allgäu, the Bavarian region southwest of Munich where W.G. Sebald was born and raised, is extending its effort to claim its native son who fled to England. Sebald was born in Wertach im Allgäu and later lived in Sonthofen, two towns which, along with nearby Kempten in Allgäu, have launched the Deutsche Sebald-Gesellschaft, or German Sebald Society. A few years after his death, the Allgäu region established the Sebaldweg, or Sebald Walk, a 12-kilometer hiking trail that somewhat follows the route that Sebald describes in the “Ritorno in Patria” section of Vertigo, in which the Sebald character returns to the town of his birth.

Now, the German Sebald Society has announced an annual Sebald Literature Prize of 10,000 EUR for a longer prose text in German on the subject of “Gedächtnis und Erinnerung” (shall we say “memory and recollection”?). German-speaking authors from around the world may submit to the competition by April 30, 2020. The prize is endowed, which implies that it will be awarded annually into the future.

In addition, during November 20-22 of this year, there will be a conference in Sonthofen on the topic of “Nebelflecken und das Unbeobachtete” (“nebulae and the unobserved”), at which time the Sebald Literature Prize will be awarded. The papers of the conference will apparently be published.

As if that wasn’t enough, the Theater in Kempten is going to stage “Die Ausgewanderten – vier lange Erzählungen” or “The Emigrants – Four Long Stories,” a dramatization of Sebald’s 1992 book, with eight performances between March 5-27.

What would Sebald have thought of all of this?

Die-Ausgewanderten-c-Birgitta-Weizenegger-4_presse-e1578478905144
The actors from the Theater in Kempten production: Julia Jaschke, Annette Wunsch, Christian Kaiser, Hans Piesbergen. Photo © Birgitta Weizenegger.

Sebald-Inspired String Quartet To Be Played in Brooklyn Dec. 5

Momenta Quartet

Contemporary American composer/musician Elizabeth Brown’s string quartet Just Visible in the Distance will be part of the Interpretations program at Roulette in Brooklyn Thursday, December 5 at 8:00 PM. It will be played by the Momenta Quartet, to whom the piece is dedicated. If you can’t make the concert, you can watch them play the fifteen and a half minute piece on Brown’s website. Brown says this about her composition:

Just Visible in the Distance (2013) consists of intuitively assembled small movements, each flowing into the next. Persistent musical material from some of my earlier pieces resurfaces often. The title is from W. G. Sebald’s The Rings of Saturn, a book I love and have read many times.

That night’s event also includes compositions by Frances White, performances by baritone/narrator Thomas Buckner, and a video/sculpture installation by artist Lothar Osterburg. More information can be found here. Roulette is located at 509 Atlantic Avenue (Entrance on the Corner of Third Avenue; Accessible Entrance on Atlantic Ave).

Recent Music & Photography that Make Linkages to Sebald

Merz TrioPhoto credit: Nile Scott

The adventurous Boston-based Merz trio named themselves after the nonsense word that German artist Kurt Schwitters (1887-1948) used for his collage and assemblage artworks that often included found objects. Their goal is to offer “passionate, original playing and thoughtfully curated programming, often in the form of interdisciplinary collaboration.” Two years ago they developed a project of chamber music paired with visual arts and readings from W.G. Sebald’s The Rings of Saturn. Here’s the program description from their website:

On November 5, 2017, Merz Trio launched its first season with a “walking tour” through German diasporic art. Audience members were encouraged to explore a once-familiar recital hall now transformed into a gallery-like space. Reproductions of visual art by Kurt Schwitters lined the room; each was paired with a spoken excerpt from W.G. Sebald’s The Rings of Saturn. Both the Schwitters and the Sebald commented on a core musical program of trios by Haydn, Schumann, and Johannes Maria Staud, weaving together a narrative of fragmented memory and reconstructed identity in two, distinct, German postwar environments. Listeners were encouraged to make their own connections between art, text, and music, while also experiencing the program of Austro-German classics through this unique and poignant lens.

There is a short YouTube excerpt from the program at their website. While Merz Trio doesn’t seem to be playing the Sebald-related program anymore, they are performing a program involving Shakespeare’s Lady Macbeth at Boston’s Plympton-Shattuck Theater, Saturday, October 26.

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Belgium-based French photographer Bertrand Cavalier cites Sebald’s On the Natural History of Destruction for his interest in “the banality of space,” especially “brutalist architecture for its symbolic meaning of post-war trauma.” His work was recently featured on the website of the Photographic Museum of Humanity.

Concrete doesnt burn© Bertrand Cavalier