In 1990, when Carole Maso’s novel The Art Lover was first published (SF: North Point Press), there weren’t many recent and obvious precedents for including photographs and other types of reproductions with a novel. A few that come to mind that would have been more or less widely known were Ishmael Reed’s Mumbo Jumbo (1972), Kobo Abe’s The Box Man (first published in the US in 1974), Theresa Hak Kyung’s experimental novel Dictee, and Andre Breton’s 1937 novel Amour Fou, which finally appeared in English in 1988 as Mad Love. So The Art Lover, which contained some sixty-five or so reproductions of astonishing variety, really broke new ground. The book includes snapshots; photographs of articles torn or cut from the New York Times and other newspapers and periodicals; reproductions of artworks by Giotto, Leonardo da Vinci, Vermeer, Van Gogh, Matisse, Picasso, Charles Demuth, and others; images of lost animal posters found around New York City; illustrations from textbooks; and more. And because so many of the embedded photographs involve texts of one sort or another, they become additional narrative voices that expound on topics like artists, works of art, and the stars in the night sky. My favorite is a tiny clipping (apparently from the Times) which supplies a correction to a previously published recipe for braised chicken.