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Posts from the ‘W.G. Sebald’ Category

“Far Away – But From Where?”

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W.G. Sebald, Austerlitz Sequence, Paris, December 1998.
Courtesy of the W.G. Sebald Estate

Today, May 18, 2019, is the 75th anniversary of the birth of writer W.G. Sebald. Two interrelated exhibitions are celebrating and examining his legacy at two neighboring institutions that are only 7 kilometers apart in Norwich: Norwich Castle Museum and Art Gallery and the Sainsbury Centre for the Visual Arts. I’ve already dealt with Norwich Castle’s exhibition “Lines of Sight” in a recent post. The other exhibition explores Sebald’s use of photography. From the Sainsbury Centre’s website, here is their description of the exhibition “Far Away – But From Where?”:

To mark what would have been the 75th birthday of W.G. Sebald (1944–2001), this innovative, interdisciplinary exhibition combines rare and unseen archive material with work by leading contemporary artists. For the first time, the wealth of UEA’s archive collections and the Sebald Estate, will be used to explore Sebald’s use of photography. The exhibition will also showcase works by Tacita Dean, Tess Jaray and Julie Mehretu that relate or respond to his writing. 

“Far away – but from where?” presents previously unseen photographs taken by Sebald during his journeys to research the novel Austerlitz. Sebald selected a group images for the novel which appeared as uncaptioned plates. The exhibition will also present images that Sebald sourced from books and newspapers for Vertigo, and how these were re-photographed for publication, a process that took place in the darkroom at the Sainsbury Centre. The exhibition will explore how Sebald blurred fact and fiction in his processes. 

The exhibition runs until August 18. See their website above for hours, admissions fees, and a special note for disabled visitors.

Sebald-Image-Translation Symposium May 10-11, 2019

Julian Study Centre

Julian Study Centre, UEA

In addition to the two upcoming exhibitions celebrating what would have been the 75th birthday of W.G. Sebald, there will be a symposium this Friday and Saturday at the Julian Study Centre Lecture Theatre, University of East Anglia, Norwich. Here are the details from its website:

On Friday evening May 10, 5-6.30 pm, Daniel Hahn will be hosting a panel discussion on “Translating W.G. Sebald,” with translators Jo Catling (UEA), Radovan Charvat (Czech Republic), Teresa Ruiz-Rosas (Peru) and Ulrika Wallenström (Sweden).

On Saturday 11 May the symposium program is as follows:

11.00   Tea/Coffee

11.15   Welcome (Jo Catling, Duncan Large)

Richard Hibbitt (Leeds) – “W.G. Sebald: English, French, German, Swiss”

12.00   Jo Catling (UEA) – “Hidden Translation, Absent Images: W.G. Sebald and Translation”

12.45   Stephen Watts (London) – “W.G. Sebald: European Artist”

1.15     Buffet lunch

2.00     Lynn Wolff (Michigan State) – “Translating W.G. Sebald’s Method into Words and Images”

2.45     “W.G. Sebald in conversation with Maya Jaggi and Anthea Bell” (audio recording)

Round Table with Friends and Colleagues of W.G. Sebald

3.50     End

Both events are free, but please e-mail bclt@uea.ac.uk if you are planning to attend.

Lines of Sight

6.SebaldExhibitionEastAnglianLandscapewithShadow©TheW.G.SebaldEstate

As we approach what would have been the 75th birthday of W.G. Sebald on May 18, 2019, two interrelated exhibitions will be celebrating and examining his legacy at two neighboring institutions that are only 7 kilometers apart in Norwich: Norwich Castle Museum and Art Gallery and the Sainsbury Centre for the Visual Arts. I’ll deal with each in a separate post, starting with Norwich Castle’s exhibition, “Lines of Sight.” From the website of Visit Norfolk:

“Lines of Sight: W.G. Sebald’s East Anglia” at Norwich Castle from May 10 until January 5 2020  is an unprecedented exhibition celebrating the work of the author W.G. Sebald on the 75th anniversary of his birth.

In collaboration with The University of East Anglia, this exhibition brings together a diverse selection of celebrated artworks, curious objects, archive material and the author’s own, unseen photographs to tell the story behind the creation of one of East Anglia’s most famous literary masterpieces, The Rings of Saturn (1995).

From the mystery of Sir Thomas Browne’s skull to the secret landscapes of the Cold War, from the ghostly vessels of the vanished Herring fleets to intricate pattern books of Norwich silk weavers, this exhibition gathers the threads of Sebald’s enigmatic text to present a uniquely poetic visual portrait of East Anglia that will appeal to both those familiar and new to his work.

W.G. Sebald (1944 – 2001) – or Max to his friends – is one of the most revered, authors of the late 20th century. His evocative and unclassifiable prose works: Vertigo (1990), The Emigrants (1992), The Rings of Saturn (1995), and Austerlitz (2001) – continue to attract a remarkable international following. His reputation and the passionate devotion of readers to his work have grown significantly since his untimely death in 2001 at the age of 57.

Born in the Bavarian Alps in 1944, Sebald spent most of his adult life in England, first in Manchester then moving to Norfolk in 1970, to study and teach at the University of East Anglia (UEA), where he became Professor of European Literature in 1988. The exhibition “Lines of Sight” is held to mark what would have been Sebald’s 75th birthday.

Curator, Dr Nick Warr from The University of East Anglia explains: ‘Sebald’s books are an idiosyncratic mixture of text and image. Part fiction, part autobiography and part travelogue, they intertwine global history with personal memory to recount the fates of lost and forgotten people. Sebald produced all of his published texts whilst living and teaching in Norfolk and the distinctive character of the East Anglian landscape and the stories of those who have made a home here are the elements that connect them all.

‘A remarkable feature of this exhibition are Sebald’s own, previously unseen photographs that he took during his walks along the Suffolk coast. This extraordinary visual record, loaned from the Sebald Estate, not only documents one of the most famous journeys in Modern European literature but also maps out Sebald’s creative process as it meanders its way around the places, people and events that have shaped the region.’

All of the uncanny black and white images that appear in Sebald’s books were made in collaboration with the photographer Michael Brandon-Jones, who assisted the writer in transforming various photographs, found images and objects into the strange pictures that punctuate the author’s texts. A selection of rarely shown Brandon-Jones’ prints are on display alongside Sebald’s manuscript notes and instructions, giving the visitor a rare insight into how the text was carefully assembled image by image.

To augment this archival element of the exhibition with a view to expanding its appeal beyond those already familiar with the text, Sebald’s work is juxtaposed beside the objects and artworks he weaves into his narrative. Items from Norfolk Museums’ own collections, such as the ornate Norwich weavers’ pattern books are shown with loans from National collections, such as Willem van de Velde’s magnificent oil painting, The Burning of the Royal James at the Battle of Sole Bay (1672) from National Maritime Museum, Greenwich.

With the story behind the creation of The Rings of Saturn as its focus, “Lines of Sight” is as much about showcasing the amazing things that inspired Sebald to write his masterpiece, as it is about inspiring renewed interest in his work for a new or established readership.

Each image in Sebald’s work is testament to his fascination with the overlooked; the objects, places, people and events that have drifted to the margins of everyday life. Inspired by Norwich’s most noteworthy polymath, Sir Thomas Browne, Sebald sets out in The Rings of Saturn to identify, through the diligent examination of these remnants, the patterns of nature and history and in turn seek meaning in the strange family resemblances they appear to share.

From the cosmic dust of an exploded moon to the gas lit winter gardens of a Victorian mansion; the luminous rays of Southwold lighthouse to the darkness of the Belgian Congo; the bombing raids of the Second World War to the history of sugar beet farming, “Lines of Sight” presents in an engaging and inclusive manner, Sebald’s unique perspective on the history and ecology of East Anglia.

Curator, Dr Rosy Gray of Norwich Castle Museum & Art Gallery said: “Norwich Castle Museum & Art Gallery is delighted to be showing this collaborative, seminal exhibition. The impact of Sebald’s work on artists today ensures that his writing and image-making is continually re-visited and re-discovered, bringing new audiences to the work. The opportunity to explore The Rings of Saturn’s visual complexity is an important moment, not only for existing admirers of Sebald’s work but also those with a more general interest in art, literature, photography and of course local history.”

More information, including a wonderful array of programs, can be found at the website of Norwich Castle.

Approximations

Uwe Annaherungen

Portrait of Sebald by Marc Volk, 1992.

Uwe Schütte has written a new book about W.G. Sebald called Annäherungen (“Approximations”) to mark what would have been Sebald’s 75th birthday on May 18, 2019. This highly personal book by Schütte, a former PhD student of Sebald’s, comprises seven non-academic essays which aim to reflect a portrait of the author’s nonconformist personality and idiosyncratic texts. Avoiding the standard Sebaldian topics such as memory, exile, the Holocaust, trauma and so on, Schütte’s essays in Annäherungen deal with subjects like Sebald’s love of trees and his fascination with fire. He examines Sebald’s deep attachment to animals, explores the huge significance of his grandfather on his writings, and tries to characterize his extraordinary role as an academic. Annäherungen casts seven very different spotlights on Sebald. The essays–each beginning with a pertinent, often rare photographic image–illuminate previously unknown aspects of Sebald’s writings and open up new connections.

The book has been published by Vandenhoeck & Ruprecht Verlage.

Some Sebald Duplicate Titles for Sale

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I have several duplicate Sebald books in my collection that could use good homes. $25 each plus $2.50 media rate postage per title (within the US).

Logis in einem Landhaus. Hanser, 1998. Second printing. Cloth bound. An unread copy without dust jacket.

For Years Now. Poems by W.G. Sebald, Images by Tess Jaray. Short Books, 2001. First edition. Paper bound. An unread copy. SOLD.

Die Beschreibung des Unglücks. Residenz Verlag, 1985. First edition. Cloth bound. A fine copy without a dust jacket.

Schwindel. Gefühle. Eichborn, 1990. First edition of Vertigo. Cloth bound. A very good copy with very minor evidence of wear at corners of the binding. Without the original cardboard sleeve. SOLD.

Austerlitz. Hanser, 2001. First German edition. Cloth bound. An unread perfect copy with fine dust jacket. SOLD.

Email me: terry2127 at gmail dot com.

Payment by Cash app (all you need is a debit card), Apple Pay (you need an iPhone), PayPal, or personal check (books shipped after it clears).

Patience (After Sebald)

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Film still from Patience (After Sebald).

Today is the seventeenth anniversary of the death of W.G. Sebald, and it seemed like a good time for another shout out to Grant Gee’s excellent documentary Patience (After Sebald). I’ve watched Patience numerous times and it never fails to impress me. It’s also a sad reminder of what we lost when Sebald died suddenly at the age of 57. I wrote about Gee’s film shortly after it came out in 2011.

There are several ways to see Patience. It’s currently available on the streaming service Mubi (although, unfortunately, not in the United States). If you aren’t already a subscriber, you could take advantage of whatever promotion Mubi is offering in your location. In some locations they apparently offer a seven-day free trial subscription, while elsewhere the gambit is $1 a month for the first three months. The film is also available to Fandor subscribers. You can either rent or buy a digital version of the film on iTunes or get the DVD on Amazon.

A New General Introduction to W.G. Sebald Is Published

Schutte Sebald Book Cover

Let me just say right from the start that Uwe Schütte’s new short, general introductory book W.G. Sebald is excellent. Published in Liverpool University Press’s “Writers and their Work” series, Schütte’s book is now the place to start with one’s study of Sebald. I am really surprised that something like this had not been done in the seventeen years since Sebald’s death. It seems so simple, doesn’t it—summarize an author’s life, books, and impact in 130 pages? Schütte makes this look easy, which is a credit to the clarity of his writing and critical thinking. But in truth this is not an easy genre to master. And undoubtedly, some passage of time is required so that a solid body of critical writing can amass and, in turn, be evaluated.

From 1992 to 1997, Schütte was Sebald’s sole post-graduate student at the University of East Anglia, and thus, he notes, “I could witness his meteoric rise to international literary fame from a close distance.” Schütte’s book contains seven chapters, five of which are dedicated to specific books by Sebald: After Nature, Vertigo, The Emigrants, The Rings of Saturn, and Austerlitz. “From After Nature to Austerlitz, [Sebald’s] goal is always to create a poetic truth, to make visible the invisible, to allow the metaphysical to enter the profane.” Schütte is good at outlining the sources for these five books—how much originated originated from Sebald’s own life and personal experience, how much from his German upbringing, and what came out of his extensive research. The Rings of Saturn, for example, was not intended to be a book but was simply a plan to make ten walks in East Anglia and write ten articles for a German newspaper. Read more

Sebald Symposium in London November 29, 2018

Leonardo da Vinci, Whirlpools of Water. Windsor, Royal Library.

The Institute of Advance Studies at University College London has announced a one-day symposium on W.G. Sebald. There is a call for papers “on any aspect of turbulence, in the widest sense.” Proposals are due November 8. See below for details, or visit the website. For more on the topic of turbulence, look here.

Call for Papers

Turbulence: The Work of W.G. Sebald

An Interdisciplinary Symposium

Institute of Advanced Studies (IAS), UCL, London, 29 November 2018

This symposium explores the theme of turbulence in the literary work of W.G. Sebald (1944-2001), from an interdisciplinary perspective.

Sebald’s work is celebrated for its rich and complex accounts of journeys, including by air, a mode of travel which we commonly associate with the distinctive feeling of turbulence. In addition however, our enquiry considers the idea of turbulence in wider senses. We link it for instance to the vertiginous sensations of travel in general in this writing, and recognise that turbulence may not end on arrival, for a destination, once reached, can itself seem disorienting and to shift in uncanny ways. We are interested too in turbulent experiences of travels into the past, memory and intertextuality; and those produced for the reader by Sebald’s complex poetics and narrative techniques. Crucially too, we will investigate the multi-disciplinary, multilingual travels which Sebald’s writing undertakes into new languages, media, forms and contexts as other artists engage with it in their own work, and we look forward to conversations with distinguished practitioners in a variety of fields. 

Speakers include poet Stephen Watts; novelist, academic and critic Angharad Price (Prifysgol Bangor) and visual artist Simon Faithfull (Slade School of Fine Art).

Our symposium will be followed on the morning of Friday 30 November by an exploration of parts of the East London featured in Sebald’s novel Austerlitz, on a guided walk with Stephen Watts and David Anderson (UCL).

 Call for Papers

We invite twenty-minute papers on any aspect of turbulence, in the widest sense, and attendant phenomena in the work of W.G. Sebald and others. We are especially interested in submissions which address interdisciplinary and comparative aspects of our themes.

Please submit an abstract (200 words) and a short biography (100 words) to Mererid Puw Davies, Department of German / SELCS, UCL (mererid.davies@ucl.ac.uk), by 8 November 2018. Speakers will be notified by 12 November 2018. 

Registration and Further Details

Both the symposium and the walk are free to attend. All are welcome and online registration will open soon. In the meantime, please send any questions or register your attendance with an email to mererid.davies@ucl.ac.uk.

Vienna Exhibition Focuses on Sebald

Croy Nielsen

Tess Jaray, “Sketch from a letter to W.G. Sebald,” circa 1999. Pencil on photocopy.

“All’estero & Dr. K.’s Badereise nach Riva: Version B,” a group exhibition at the Croy Nielsen gallery in Vienna, takes its inspiration from two chapters in W.G. Sebald’s Vertigo (Schwindel. Gefühle). Curated by Saim Demircan, this is part of an annual “gallery share” event called, appropriately, “curated_by,” which involves twenty-one galleries across Vienna. Read more

80th Anniversary of the Kindertransport

UCL Festival

All next week, University College London is holding its annual Festival of Culture. The list of programs looks great, especially this Sebald-related event:

A Refugee Child in WW2 London
Friday 8 June, 12.30-1.30pm
Institute of Archaeology G6 Lecture Theatre

This event marks the 80th anniversary of the first of the Kindertransports in 1938, in which thousands of refugee children came to Britain from Nazi-occupied Europe, many of them passing through London via Liverpool Street station. We’ll explore one of our century’s greatest novels, W.G. Sebald’s Austerlitz (2001), about a Jewish child who comes to London on a Kindertransport from Prague and recounts his search in later life for his, and Europe’s, lost past.

This is a panel event including talks, film screening and discussion with the audience. Speakers Dr Zoltán Biedermann, Prof. Stephanie Bird, Dr Mererid Puw Davies and Prof. Mairéad Hanrahan are from UCL’s School of European Languages, Culture and Society (SELCS).

All are welcome. Tickets are free and can be booked here:

http://www.ucl.ac.uk/festival-of-culture/events/festival-of-culture-friday-8-june-2018

I’m not sure how four speakers, a film screening, and a discussion will fit into a single hour…