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Posts from the ‘W.G. Sebald’ Category

So That the Soul Would not Be Distracted

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A very astute reader of Sebald’s work sent me an email recently noting that the final sentence of The Rings of Saturn (1995) bears a striking resemblance to the final sentence of the Polish poet Zbigniew Herbert’s book Still Life with Bridle: Essays and Apocryphas (London: Jonathan Cape, 1993).  What’s up with this, we both wondered?

Here’s Sebald:

And Sir Thomas Browne, who was the son of a silk merchant and may well have had an eye for these things, remarks in a passage of the Pseudodoxia Epidemica that I can no longer find that in Holland of his time it was customary, in a home where there had been a death, to drape black mourning ribbons over all the mirrors and all canvasses depicting landscapes or people or the fruits of the fields, so that the soul, as if left the body, would not be distracted on its final journey, either by a reflection of itself or by a last glimpse of the land now being lost for ever.

Here’s Herbert. describing how a family prepares for the departure of the soul of a recently deceased Dutch merchant in the seventeenth century:

Then they would cover all the mirrors in the house, and turn all the pictures to the walls so the image of a girl writing a letter, of ships in open sea, of peasants dancing under a tall oak, would not stop the one who wanders toward unimaginable worlds from going on his way.

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Take a Train Journey with Sebaldsound

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Here’s another audio piece about W.G. Sebald to help you through whatever level of confinement you are subjecting yourself to these days. Nick Warr and Guy Moreton recently taped a fascinating conversation about Sebald while taking a train journey and the recording they made is now up on Soundcloud. Warr and Moreton meander through many topics, including Sebald’s book The Rings of Saturn, his use of photographs, and the significance of the trains that keep appearing in his work. Here’s their description of the thirty-three minute program.

The third episode in the [‘Ear of the Edgeland’] series finds us back on the rural railways, from Norwich to Lowestoft.

Commissioned by Norwich Castle Museum and Art Gallery, ‘Sebaldsound’ acts as a complimentary audio piece to the 2019 exhibition ‘Lines of Sight’ about the artist W G Sebald.

In this episode ‘Lines of Sight’ curator Nick Warr talks to artist and academic Guy Moreton about the landscape, Sebald’s life and work, whilst travelling on part of the journey featured in Sebald’s much revered book The Rings of Saturn.

Sebaldsound includes field recordings by Oliver Payne with ‘Increasingly Absorbed In His Own World’ and ‘When the Dog Days Were Drawing To An End’ composed by The Caretaker for his album ‘Patience (After Sebald)’.

Guy Moreton is a photographer and teaches at Solent University, Southampton. Dr. Nick Warr is Curator of Photographic Collections, University of East Anglia and co-author of the forthcoming book W.G. Sebald: Shadows of Reality.

“Lines of  Sight: When a Literary Landscape Comes to Life”

Cantu Sebald

“Lines of  Sight: When a Literary Landscape Comes to Life,” an essay by Francisco Cantú is currently available online in the Virginia Quarterly Review Spring 2020 issue. In his essay, Cantú meditates on landscape, violence, and borders, inspired by a walking trip he took along the Suffolk Coast described in W.G. Sebald’s The Rings of Saturn. Cantú’s 2018 book The Line Becomes a River: Dispatches from the Border explored the harsh realities of the U.S./Mexican border and it made several top ten book lists that year. To better understand the issues facing those who were trying to smuggle themselves north into the U.S. he enlisted as a Border Patrol agent for a while.

In “Lines of Sight,” Cantú writes of the universality of Sebald’s message.

I first began to read Sebald during the years I worked in the deserts of Arizona, as an agent for the US Border Patrol. I was in my early twenties, living alone in a two-bedroom home built for mine workers in the former copper town of Ajo. I read his books one after another in that hot, silent, sparsely furnished house, encountering detailed descriptions of his European wanderings and long digressions into obscure chapters of world history, immersing myself in places and stories that were distant and foreign, yet still somehow familiar. The way Sebald interrogated his surroundings—the reminders of horror he found in abandoned buildings, pieces of detritus, swaths of cleared land—reminded me, perhaps, of the glimmers of violence I encountered day after day in the borderlands. Despite writing from another continent and another decade, Sebald somehow seemed to be speaking about the precise moment I was living in, about the very nature of my own work as an agent of oppression, about the violence being imprinted into me each day as I rose to police the border. More broadly, his work gave language to how violence has been normalized throughout history and written into our landscapes, cities, cultures, and bodies. Sebald’s books taught me, in effect, to look for what had been hidden in plain sight all around me.

Read the piece now. Cantú warns on his Twitter feed that the piece will eventually go behind a paywall.

“Walking with Sebald” Programs Online

Kindertransport Memorial

At the Kindertransport Memorial, London

My previous post alerted readers to a radio program called “Walking with Sebald,” aired online by London radio station 104.4 Resonance FM on two nights in February. This fascinating program is now available to listen to anytime through the links below.

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Novo Cemetery, London

Patrick Bernard follows in the footsteps of W. G. Sebald and his eponymous character Austerlitz as he explores the East End of London with poet Stephen Watts (a friend of ‘Max’ Sebald who accompanied him on many of his walks). They are joined by Nadia Valman and David Anderson from Queen Mary University of London as they visit many of the locations in the novel to uncover the layers of history hidden beneath the surface of the city and Sebald’s text. In the first episode Patrick and his guests walk from Exchange Square behind Liverpool Street Station – where Austerlitz first arrives to London on the Kindertransport – to Brick Lane where Stephen reads a poem dedicated to Altab Ali and Bill Fishman.

There are more photographs of the walk here.

“Walking with Sebald” Broadcast

The London radio station 104.4 Resonance FM is about to broadcast a two part series called “Walking with Sebald.” Part one will go on at 8:00 PM London time Tuesday on the program called “Clear Spot”and will repeat Wednesday at 10:00 AM.  Here’s the information from their website:

Walking with Sebald: Austerlitz and the East End (Part 1). In this two-part programme Patrick Bernard follows in the footsteps of W. G. Sebald and his eponymous character Austerlitz as he explores the East End of London with poet Stephen Watts (a friend of ‘Max’ Sebald who accompanied him on many of his walks). They are joined by Nadia Valman and David Anderson from Queen Mary University of London as they visit many of the locations in the novel to uncover the layers of history hidden beneath the surface of the city and Sebald’s text. In the first episode Patrick and his guests walk from Exchange Square behind Liverpool Street Station – where Austerlitz first arrives to London on the Kindertransport – to Brick Lane where Stephen reads a poem dedicated to Altab Ali and Bill Fishman. Follow our progress at walkingwithsebald.wordpress.com/. Sound recorded by Milo Thesiger-Meacham and photography by Karen Lacey-Holder. [Repeated Wednesday 10am.]

Part two will be broadcast at 8:00 PM Thursday and rebroadcast Friday morning at 10:00 AM. At some point in the future, the two broadcasts will become available to listen elsewhere. I’ll post details when I know more. It’s easy to listen. Just click on the button that says “Listen Live” and the Resonance FM radio app will open right up on your screen.

Be patient! The Resonance FM website loads very slowly.

W.G. Sebald Literature Prize & Conference Announced in the Allgäu, Where He Grew Up

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The stele with the relevant text from Vertigo as seen on the Sebaldweg, near Wertach, Germany, birthplace of W.G. Sebald.

The Allgäu, the Bavarian region southwest of Munich where W.G. Sebald was born and raised, is extending its effort to claim its native son who fled to England. Sebald was born in Wertach im Allgäu and later lived in Sonthofen, two towns which, along with nearby Kempten in Allgäu, have launched the Deutsche Sebald-Gesellschaft, or German Sebald Society. A few years after his death, the Allgäu region established the Sebaldweg, or Sebald Walk, a 12-kilometer hiking trail that somewhat follows the route that Sebald describes in the “Ritorno in Patria” section of Vertigo, in which the Sebald character returns to the town of his birth. (Do yourself a favor and take a delightful stroll along the Sebaldweg with Saim Demircan over at Frieze.)

Now, the German Sebald Society has announced an annual Sebald Literature Prize of 10,000 EUR for a longer prose text in German on the subject of “Gedächtnis und Erinnerung” (shall we say “memory and recollection”?). German-speaking authors from around the world may submit to the competition by April 30, 2020. The prize is endowed, which implies that it will be awarded annually into the future.

In addition, during November 20-22 of this year, there will be a conference in Sonthofen on the topic of “Nebelflecken und das Unbeobachtete” (“nebulae and the unobserved”), at which time the Sebald Literature Prize will be awarded. The papers of the conference will apparently be published. Further instructions for applying to both the competition and the conference can be found here.

As if that wasn’t enough, the Theater in Kempten is going to stage “Die Ausgewanderten – vier lange Erzählungen” or “The Emigrants – Four Long Stories,” a dramatization of Sebald’s 1992 book, with eight performances between March 5-27.

What would Sebald have thought of all of this?

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The actors from the Theater in Kempten production: Julia Jaschke, Annette Wunsch, Christian Kaiser, Hans Piesbergen. Photo © Birgitta Weizenegger.

 

Dreamlife of Debris

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In an interview with London Jazz News, musician Kit Downes talks about how his two recent albums Obsidian and Dreamlife of Debris (both for ECM Records, 2018 and 2019, respectively) were inspired by W.G. Sebald and by Grant Gee’s film Patience (After Sebald):

LJN: And continuing the “place” theme in a more abstract way, can you tell us about W.G. Sebald (both albums contain references to his work) and his influence on the music?

KD: The title, Dreamlife of Debris, itself comes from a supposed quote by Nabakov, mentioned in a documentary film about W.G. Sebald’s book The Rings of Saturn. The quote itself alludes to the way we can project emotion and character onto inanimate objects, to the point where they feel like they have their own life, dreamt by us – like a musician and their instrument in a way, especially the organ (being the enormous chaotic collection of pipes, whistles and reeds that it is).

These objects could be mundane and everyday, or galaxy clusters and gas giants – whatever the scale. This quote (in reference to the book) is alluding to the way Sebald finds meaning in these isolated landmarks and events on his walking tour through Suffolk by using them as springboards for enormous mental leaps of association and story telling – to places across the world and from other times.

This resonated with me – these unlikely combinations of instruments, alluding to different styles and periods, with no established pretext, meeting together in a space with no singular character. I enjoyed the risk of diving into that challenge, and enjoyed the strange dream-like space that we often found ourselves in musically.

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Ghostland

Ghostland Parnell

Edward Parnell’s Ghostland: In Search of a Haunted Country is a highly personal exploration of the idea of “haunted” in literature and film. It’s also a bit of travel guide, a dash of history, and a family memoir. But as in so many things, it’s the blending that counts and Parnell is an expert bartender. I don’t think he ever uses the word but I felt as if he were trying to demonstrate how various terroirs affect the ghost stories and the strange folk lore that then show up in the fiction and cinema that he has loved since childhood. To do this, he guides us through large swaths of Great Britain in search of the sites depicted in these books and films. As we ride next to and walk alongside the thirty-something Parnell, making pilgrimages to locations where, for example, The Wicker Man was filmed or where some of the tales of Algernon Blackwood were set, we also learn bits and pieces of Parnell’s own life, how he came to love these kinds of books and films, of the difficult deaths of his parents, and the shock when he learns his own brother has a lymphoma that will eventually kill him, too. Read more

The Backlisted Podcast Visits ‘The Rings of Saturn’

Backlisted

My favorite literary podcast does Sebald! Yes! The crew at Backlisted: The Literary Podcast (John Mitchinson and Andy Miller) plus guests Philip Hoare and Jessie Greenglass discuss W.G. Sebald’s The Rings of Saturn in episode 105, which was let loose on the world November 11. Here’s the description of the full episode from the podcast’s website:

In this episode John and Andy are joined by Philip Hoare, a broadcaster, curator, filmmaker and writer whose books include biographies of Stephen Tennant and Noel Coward, the historical studies Wilde’s Last StandSpike Island: The Memory of a Military Hospital, and England’s Lost Eden.  His book Leviathan or, The Whale won the 2009 BBC Samuel Johnson Prize for non-fiction. His most recent book, RISINGTIDEFALLINGSTAR, is published by Fourth Estate. Philip presented the BBC Arena film The Hunt for Moby-Dick, and directed three films for BBC’s Whale Night.  He is Professor of Creative Writing at the University of Southampton, and co-curator of the Moby-Dick Big Readhttp://www.mobydickbigread.com.  

The second guest is the writer, Jessie Greengrass, the author of two books. Her first, the short story collection, An Account of the Decline of the Great Auk, According to One Who Saw It, won the Edge Hill Prize and a Somerset Maugham award (and was enthusiastically praised by John in the episode of Backlisted devoted to Huysmans). Her novel, Sight, was published in 2018, and was shortlisted for the Women’s Prize and the James Tait Black Memorial Prize, and longlisted for the Wellcome Prize. Jessie lives in Northumberland with her partner and their two children.

The main book under discussion is The Rings of Saturn by W.G. Sebald, first published in German by Eichborn Verlag in 1995 and in an English translation by Michael Hulse by the Harvill Press in 1998. Before that, John ventures back in timed space with The Years by Annie Ernaux and Andy is blown away by Vertigo & Ghost by Fiona Benson.

The foursome have an intelligent, wide-ranging discussion of the book, including Sebald’s use of photographs. Hoare, who goes swimming every morning at 3:00 AM (think about that for a moment!), talks about the “echo space” wherever photographs appear in Sebald’s texts—”where the words stop and the picture takes over.” Greenglass thinks of Sebald’s books as those “curious complicated cabinets” in which you can’t see the joints. I was so inspired by the comments on the books by Annie Ernaux and Fiona Benson that I immediately ordered both. Go have a listen.

‘The Blind Tourist’ Radio Program Does “The Rings of Saturn”

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The Blind Tourist With Adriene, a weekly program on the independent public radio station WFMU in East Orange, New Jersey, describes itself as “your weekly trip across the world with radio, stories, histories, languages and more. A travel show turning chaos into different chaos.” The most recent show (December 5, 2019) begins a two-episode program dealing with W.G. Sebald’s The Rings of Saturn.

“Bookclub! The Rings of Saturn by W.G. Sebald” is an hour-long mashup of readings, lectures, music, film scores, and more. During the first hour you can hear the voices of Sebald, Theodore Adorno, and others, jazz, an excerpt from the film Woman in the Dunes, brief pieces by Brian Eno and Benjamin Britten, readings from Flaubert and Kafka, and more. I found the program extremely sophisticated and listenable. Adriene introduces her concept about seven minutes into the program. To show just how deep and far Adriene is seaching for material to be included in her program, take these two examples, which blew me away. The first is Winfried Mühlum-Pyrápheros’s “Musica Nova Contemplativa,” which was originally created in 1964 as a purely visual score with its roots in minimalism and Fluxus. It was recorded only once, in 1970, and has just been reissued. The second is the dreamy song “Papa Loco” by the Haitian singer Nathalie Joachim.

To listen to this wonderful program and see the playlist for Part I, go here and simply click on “Pop-up player.” The second part will appear December 12.